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Flight Lieutenant John Colin Mungo-Park DFC by Eric Kennington, pastel on paper

Fine Art, In Storage, L001-1704

This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.

Eric Kennington pastel portrait of John Colin Mungo Park, © RAF Museum / RAF Museum

Night Vigil by Anthony Gross, watercolour and ink on paper

Fine Art, In Storage, FA00814

This scene represents a member of the Observer Corps keeping watch from a sandbag look-out post, while barrage balloons are positioned to divert enemy aircraft away from air raid targets.

Night Vigil by Anthony Gross, watercolour and ink on paper, © The Estate of Anthony Gross. All Rights Reserved 2020 / Bridgeman Images / RAF Museum

Medal Bar of Flight Lieutenant Geoffrey Allard

Aircraft & Exhibits, In Storage, 1989/0210/D

‘Sammy’ Allard was an exceptional and highly popular pilot who destroyed at least ten German aircraft during the Battle of Britain.

Five medals on individual ribbons in multiple colours and patterns, © RAF Museum

Squadron Leader Reginald Sawrey-Cookson DFC, DSO by Eric Kennington, pastel on paper

Fine Art, In Storage, L001-1718

This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.

Squadron Leader Reginald Sawrey-Cookson DFC, DSO by Eric Kennington, pastel on paper, © RAF Museum / RAF Museum

Communications Room by Elva Blacker, watercolour on paper

Fine Art, In Storage, FA04234

This watercolour shows personnel at work in the Communications Room at RAF Biggin Hill, a station that played a key role in the Battle of Britain in 1940.

Elva Blacker watercolour of an RAF communications room, © Estate of Elva Blacker, 2020 / RAF Museum

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1859

After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper, © RAF Museum / RAF Museum

Study: A Balloon Site, Coventry (VIII) by Dame Laura Knight, graphite and watercolour on paper

Fine Art, In Storage, FA01169

This compositional study is one of several preparatory drawings by Dame Laura Knight for a painting commissioned by the War Office to encourage recruitment of women to RAF Balloon Command - 'A Balloon Site: Coventry' (1942, Imperial War Museums).

Dame Laura Knight watercolour and graphite study for 'A Balloon Site: Coventry' painting, of WAAFs operating a barrage balloon, The artist's estate and Bridgeman Images / RAF Museum / RAF Museum

Veteran Mechanic by Robert Austin, charcoal and pastel on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1903

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD607. On loan from the RAF Air Historical Branch (MOD).

Robert Austin pastel drawing of a veteran mechanic, © RAF Museum / RAF Museum

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum

Bath, Most Honourable Order of the, Knight Grand Cross, Military, Badge

Aircraft & Exhibits, In Storage, 71/D/1158

The Order of the Bath has its origins in the 14th century but was revived by King George I in 1725. The Knight Grand Cross is the highest grade.

Bath, Most Honourable Order of the, Knight Grand Cross, Military, Badge | 71/D/1158

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