Showing 1 to 10 of 12 search results

Wellington Bomber Drawn on the Day Hitler Invaded Belgium by Paul Nash, watercolour on paper

Fine Art, In Storage, L001-1761

This watercolour is part of ‘Aerial Creatures’, the second exhibited series of work by Paul Nash on Air Ministry subjects commissioned through the War Artists’ Advisory Committee. The composition is based upon Nash's photograph of a partially covered Wellington bomber which he took when visiting an airfield (Tate Collection).

Wellington Bomber Drawn on the Day Hitler Invaded Belgium by Paul Nash, watercolour on paper, Crown copyright: expired / RAF Museum / RAF Museum

Halifax Attack by Paul Nash, watercolour and chalk on paper

Fine Art, In Storage, FA02819

This is one of a number of watercolours Paul Nash produced when commissioned through the War Artists’ Advisory Committee as the Air Ministry’s Official War Artist from March to December 1940.

Halifax Attack by Paul Nash, watercolour and gouache on paper, Artist copyright expired / RAF Museum

Study for 'Take Off': Interior of a Stirling Bomber with Four Crew Members by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01178

This loose compositional drawing represents a Bomber Command crew in a Stirling cockpit. It is one of many preparatory studies, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Interior of a Stirling Bomber with Four Crew Members by Dame Laura Knight, charcoal on paper, The artist's estate and Bridgeman Images / RAF Museum

Studies for 'Take Off': Pilot (recto); Navigator's Map and Equipment (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01181

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Pilot (recto); Navigator's Map and Equipment (verso) by Dame Laura Knight, charcoal on paper, 1943. On the verso is a study of the flight navigator's map, pencils and navigation computer., The artist's estate, Bridgeman Images / RAF Museum

Rear Gun Turret and Tail of a Wellington Bomber by Eric Kennington, pastel and chalk on paper

Fine Art, In Storage, L001-1764

This is one of many pastel drawings Eric Kennington made for his full-time commission as the Air Ministry’s Official War Artist from 1940–1942.

Eric Kennington pastel drawing of a rear gun turret and tail of a Wellington bomber, © RAF Museum / RAF Museum

Halifax Turret - Study: Fighter Affiliation by Walter Thomas Monnington, graphite on paper

Fine Art, In Storage, FA02300

This diagrammatic drawing, labelling the features of a Halifax bomber aircraft, such as a gun turret, was made in preparation for a finished painting in the Imperial War Museums collection (LD 3769). Monnington made two paintings on the theme of Fighter Affiliation - the other in the care of the RAF Museum (L001-1755; LD 3770) - which depict the Halifax from different viewpoints while undergoing training manoeuvres.

Graphite on paper drawing depicting mid-upper Halifax bomber turret from the astro dome. With notes by artist., The artist's estate

Study: Fighter Affiliation by Walter Thomas Monnington, graphite and ink on laid paper

Fine Art, In Storage, X008-9847

This sketch is one of several made in preparation for the painting 'Fighter Affiliation: Halifax and Hurricane', commissioned by the War Artists' Advisory Committee in 1943 (see L001-1755; LD 3770). A Fighter Affiliation exercise involved training bomber crews (in aircraft such as Halifaxes) to out-manoeuvre faster and more agile fighter aircraft, to prepare them for real-life situations of pursuit from enemy fighters. It enabled crews to practice positioning their turrets and gunsights, and make evasive manoeuvres, in response to attacks from challenging angles.

Study: Fighter Affiliation by Walter Thomas Monnington, graphite and ink on laid paper, 1943. Two aircraft (one a fighter) engaged in a 'dog fight', surrounded by clouds., RAF Museum

Moonlight Voyage: Hampden Flying Above the Clouds by Paul Nash, lithograph

Fine Art, In Storage, FA01315

This lithograph was published by the National Gallery and the Ministry of Information after an original watercolour by Paul Nash from his series ‘Aerial Creatures’, commissioned through the War Artists’ Advisory Committee (WAAC) for the Air Ministry in 1940.

Moonlight Voyage: Hampden Flying Above the Clouds by Paul Nash, lithograph, Crown copyright: expired. / RAF Museum

Study for ‘Take Off’: Interior of a Stirling bomber and Crew by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01177

This detailed compositional drawing represents a Bomber Command crew in a Stirling cockpit. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for u2018Take Offu2019: Interior of a Stirling bomber and Crew by Dame Laura Knight, charcoal and watercolour on paper, The artist's estate and Bridgeman Images / RAF Museum / RAF Museum

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper

Fine Art, In Storage, FA01183

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper, 1943. The verso is a study of Flight Sergeant Alexander Quadling's figure and uniform., The artist's estate, Bridgeman Images / RAF Museum