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Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942. Paul Nash. Watercolour on paper, 1942, The artist's estate

Halifax Attack by Paul Nash, watercolour and chalk on paper

Fine Art, In Storage, FA02819

This is one of a number of watercolours Paul Nash produced when commissioned through the War Artists’ Advisory Committee as the Air Ministry’s Official War Artist from March to December 1940.

Halifax Attack by Paul Nash, watercolour and gouache on paper, Artist copyright expired / RAF Museum

Crucifixion by Gladys Hynes, oil on cardboard

Fine Art, London, Art Gallery, Hangar Three, FA04334

Gladys Hynes painted ‘Crucifixion’ in 1939 as one of several artistic statements against Britain’s declaration of war on Germany.

Gladys Hynes oil on cardboard painting of a pilot with his arms outstretched in the pose of a crucifixion on an aircraft, Please contact Museum Copyright Officer or Collection Curator before using this asset / RAF Museum

WRAF Technician Servicing a Helicopter at Shawbury by Boyd & Evans, crayon on paper

Fine Art, London, Art Gallery, Hangar Three, FA00495

Fionnuala Boyd and Les Evans work inter-dependently as an artistic partnership, at times drawing on the same leaves of paper to realise a shared vision. Photography is central to their practice. In the studio, when away from the subject, they based their drawings on photographs, and today photography is their main medium.

WRAF Technician Servicing A helicopter at Shawbury by Leslie Evans and Fionnuala Boyd, pencil crayon on paper, Boyd & Evans / RAF Museum

The Lightning by Humphrey Ocean, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00991

A decade after his musical explorations with singer Ian Dury’s band Kilburn and the High Roads, painter Humphrey Ocean was commissioned by the RAF Museum to represent the English Electric Lightning F6 aircraft at RAF Binbrook just before its withdrawal from service.

Copyright restrictions prevent us from showing this image

Study for the Lightning by Humphrey Ocean, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA00917

‘The project spanned two years, beginning in January 1987 after the Museum’s then Curator of Art, the late Tony Harold, got in touch. He had liked my painting Lord Volvo and His Estate (1982, Wolverhampton Art Gallery) and thought about how I might translate my treatment of the automobile and men into depicting RAF aircraft and crew.

Copyright restrictions prevent us from showing this image

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum

Raider on the Moor by Paul Nash, lithograph

Fine Art, In Storage, FA00292

This lithograph was published by the National Gallery after an original watercolour by Paul Nash from his series ‘Raiders’, commissioned through the War Artists’ Advisory Committee (WAAC) in 1940

Raider on the Moor by Paul Nash, lithograph, Crown copyright: expired. / RAF Museum

Squadron Leader Reginald Sawrey-Cookson DFC, DSO by Eric Kennington, pastel on paper

Fine Art, In Storage, L001-1718

This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.

Squadron Leader Reginald Sawrey-Cookson DFC, DSO by Eric Kennington, pastel on paper, © RAF Museum / RAF Museum

Communications Room by Elva Blacker, watercolour on paper

Fine Art, In Storage, FA04234

This watercolour shows personnel at work in the Communications Room at RAF Biggin Hill, a station that played a key role in the Battle of Britain in 1940.

Elva Blacker watercolour of an RAF communications room, © Estate of Elva Blacker, 2020 / RAF Museum