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Study for Bristol Aeroplane Company, Corsham by Olga Lehmann, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, X008-7550

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for BAC Underground Factory, Corsham by Olga Lehmann, The artist's estate

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper

Fine Art, In Storage, FA01183

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper, 1943. The verso is a study of Flight Sergeant Alexander Quadling's figure and uniform., The artist's estate, Bridgeman Images / RAF Museum

Study for the Lightning by Humphrey Ocean, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA00917

‘The project spanned two years, beginning in January 1987 after the Museum’s then Curator of Art, the late Tony Harold, got in touch. He had liked my painting Lord Volvo and His Estate (1982, Wolverhampton Art Gallery) and thought about how I might translate my treatment of the automobile and men into depicting RAF aircraft and crew.

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Study for Bristol Aeroplane Company, Corsham: General View by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01369

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for the Bristol Aeroplane Company, Corsham: General View, by Olga Lehmann, graphite, watercolour and ink on paper, The artist's estate / RAF Museum

Beaufort Bombers: Wing Section Awaiting Assembly by Raymond McGrath, watercolour on canvas board

Fine Art, In Storage, L001-1910

This is one of 16 watercolours Australian modernist architect Raymond McGrath made for his Official War Artist commission with the Ministry of Information, and one of two Beaufort Bomber subjects.

Watercolour of aerofoil-shaped sections of wing propped in a workshop, exposing their inner honeycombed structure, Crown copyright (expired) / RAF Museum

Studies for 'Take Off': Cockpit Interior with Pilot and Co-Pilot (recto); Arm and Hand of Flight Engineer (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01182

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Interior with Pilot and Co-Pilot (recto); Arm and Hand of Flight Engineer (verso) by Dame Laura Knight, charcoal on paper, 1943. The recto side of the paper bears a loose preparatory study of Flight Sergeant Alexander Quadling who, in the oil painting, extends his hand to operate a switch on the flight engineer's panel., The artist's estate, Bridgeman Images / RAF Museum

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01370

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper, 1943, The artist's estate / RAF Museum / RAF Museum

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01208

This detailed study represents the interior of a Stirling Bomber aircraft. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

Study for ‘Take Off’: Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01176

This preparatory study of Flight Sergeant Alexander Quadling, a Flight Engineer, is one of many Knight made for the painting ‘Take Off’ (1943, Imperial War Museums), in which she represented a Stirling bomber crew at RAF Mildenhall preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

I was a Rich Man's Plaything (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05394

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

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