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An Aircraft Woman, Aston Down by William Rothenstein, sanguine chalk on paper
Fine Art, In Storage, FA04390
This is one of over 200 portraits William Rothenstein made of RAF personnel between 1939 and 1941, independently of the Official War Artists’ scheme.
Evoluzioni Spiraliche di Aerei [Spiralling Evolutions of Aeroplanes] by Enrico Castello ('Chin'), oil on canvas
Fine Art, London, Art Gallery, Hangar Three, FA00561
In 1918 Italian Futurist painter Enrico Castello, otherwise known as ‘Chin’, represented this combative vision after serving as a fighter pilot. That year, at the end of the war, poet Filippo Marinetti revived the Futurist art movement he had founded in Milan in 1909.
Rear Gun Turret and Tail of a Wellington Bomber by Eric Kennington, pastel and chalk on paper
Fine Art, In Storage, L001-1764
This is one of many pastel drawings Eric Kennington made for his full-time commission as the Air Ministry’s Official War Artist from 1940–1942.
Study for ‘Take Off’: Interior of a Stirling bomber and Crew by Dame Laura Knight, charcoal and watercolour on paper
Fine Art, In Storage, FA01177
This detailed compositional drawing represents a Bomber Command crew in a Stirling cockpit. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).
Study: A Balloon Site, Coventry (III) by Dame Laura Knight, graphite on paper
Fine Art, In Storage, FA01175
Dame Laura Knight’s study is part of a body of expressive drawings that explored the barrage balloon. She made these in preparation for a painting commissioned by the War Office to promote the recruitment of female operators for RAF Balloon Command - 'A Balloon Site: Coventry' (1942, Imperial War Museums).
Underground Bomb Store by David Bomberg, charcoal on paper.
Fine Art, London, Art Gallery, Hangar Three, L001-1747
In April 1942, for his Official War Artist commission, David Bomberg spent a fortnight 90 feet underground in the vast bomb store of RAF Fauld, Burton-on-Trent, where he saw bombs being loaded on to racks, ready for use.
Study: A Balloon Site, Coventry (VIII) by Dame Laura Knight, graphite and watercolour on paper
Fine Art, In Storage, FA01169
This compositional study is one of several preparatory drawings by Dame Laura Knight for a painting commissioned by the War Office to encourage recruitment of women to RAF Balloon Command - 'A Balloon Site: Coventry' (1942, Imperial War Museums).
Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, L001-1859
After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.
Pilot Officer A C Cochrane 'J P' C by Cuthbert Orde, charcoal and chalk on paper
Fine Art, In Storage, FA03298
This portrait is one of many that the Air Ministry commissioned from Cuthbert Orde, independently of the War Artists' Advisory Committee, to promote the contributions of Fighter Command pilots during the Battle of Britain.
Statue of Winged Victory From a Photograph by Robert Thomas Griffin, graphite on paper
Fine Art, London, Art Gallery, Hangar Three, FA05560
This drawing represents the Greek Hellenic sculpture, the Winged Victory of Samothrace, from Paris’ Louvre Museum, recovered from the Aegean Sea in 1863.
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