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Study for ‘Take Off’: Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01176

This preparatory study of Flight Sergeant Alexander Quadling, a Flight Engineer, is one of many Knight made for the painting ‘Take Off’ (1943, Imperial War Museums), in which she represented a Stirling bomber crew at RAF Mildenhall preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

An Officer from British Columbia, Canada, 271: Cpl Johnny J. Maines by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00923

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Bust length coloured chalk portrait of a Canadian Leading Aircraftsman, facing forward and right, wearing side cap. Small associative landscape drawing of British Columbia, Canada, in upper right corner., RAF Museum

Whitley Bomber: Dawn Return by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, FA00779

Christopher Nevinson’s painting represents a Whitley bomber coming in to land, returning from a night raid over Germany during the Battle of Britain.

CRW Nevinson oil painting of Whitley bombers returning at dawn after a night raid, © RAF Museum / RAF Museum

Swooping Down on a Taube (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA00844

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Image pending

A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

The Long March by Pamela Taylor, bronze and marble

Fine Art, London, Hangar Five, X003-2106

This memorial to commemorate the Long March was commissioned by the RAF Ex-Prisoners of War Association and unveiled in May 2003. Sculptor Pamela Taylor (1929-2014) based the figure of the airman on a wartime sketch by Ley Kenyon, artist and prisoner of war in Stalag Luft III who survived the march ('Marching Prisoners of War in Greatcoats', FA01916, RAF Museum collection).

Image pending

It Happened to Us! by Carel Weight, oil on canvas

Fine Art, In Storage, FA00793

After writing to the War Artists’ Advisory Committee (WAAC) in December 1939, asking to become an Official War Artist, Carel Weight received a commission to represent ‘bombing in a suburban district with people still going about their daily affairs’.

Carel Weight painting of Wimbledon trolley bus pursued by a Luftwaffe fighter and bomber aircraft, © The Estate of Carel Weight. All Rights Reserved 2020 / Bridgeman Images / RAF Museum

Studies for 'Take Off': Pilot (recto); Navigator's Map and Equipment (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01181

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Pilot (recto); Navigator's Map and Equipment (verso) by Dame Laura Knight, charcoal on paper, 1943. On the verso is a study of the flight navigator's map, pencils and navigation computer., The artist's estate, Bridgeman Images / RAF Museum

Welding by Sybil Andrews, oil on canvas

Fine Art, In Storage, FA00997

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Welding by Sybil Andrews, oil on canvas, circa 1943, The Glenbow Museum of Art, Calgary, Alberta, Canada / RAF Museum

Study for 'Take Off': Interior of a Stirling Bomber with Four Crew Members by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01178

This loose compositional drawing represents a Bomber Command crew in a Stirling cockpit. It is one of many preparatory studies, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Interior of a Stirling Bomber with Four Crew Members by Dame Laura Knight, charcoal on paper, The artist's estate and Bridgeman Images / RAF Museum