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Assembling Parts (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04045

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Assembling Parts by C.R.W. Nevinson, lithograph, 1917. Black and white, semi-abstract image of male and female factory workers in overalls assembling a First World War biplane., RAF Museum

Moonlight Voyage: Hampden Flying Above the Clouds by Paul Nash, lithograph

Fine Art, In Storage, FA01315

This lithograph was published by the National Gallery and the Ministry of Information after an original watercolour by Paul Nash from his series ‘Aerial Creatures’, commissioned through the War Artists’ Advisory Committee (WAAC) for the Air Ministry in 1940.

Moonlight Voyage: Hampden Flying Above the Clouds by Paul Nash, lithograph, Crown copyright: expired. / RAF Museum

An Airman from Malaya, 304: Cdt J Hope by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00938

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Black and white, head and shoulders portrait of a Malayan airman, drawn in chalks, facing forward, wearing RAF uniform with Field Service cap with Air Crew Cadet white peak. Small associative landscape drawing of Malaya in lower left corner, RAF Museum

An Airman from Nigeria, 309: Cdt A. Dewale by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00936

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Head and shoulders chalk portrait, in profile, of a Nigerian airman in RAF uniform with shoulder badge and shoulder title. Small associative landscape drawing of Nigeria in lower left corner, RAF Museum

An Airman from Mauritius, 306: AC2 Lewis Yves Limki by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00937

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Head and shoulders portrait drawing in chalks of young Mauritian airman, figure leaning forward, wearing RAF uniform with forage cap and white flash, with shoulder badge and telecommunications badge. Small associative landscape drawing of Mauritius in lower left corner., RAF Museum

Little Ships by Sybil Andrews, oil on canvas

Fine Art, In Storage, FA00994

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Little Ships by Sybil Andrews, oil on canvas, circa 1943., The Glenbow Museum of Art, Calgary, Alberta, Canada / RAF Museum.

Hull Shop by Sybil Andrews, oil on canvas

Fine Art, In Storage, FA00999

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Sybil Andrews oil painting of boat building at the British Power Boat Company, Hythe, Kent, Please contact Museum Copyright Officer or Collection Curator before using this asset / RAF Museum

From a Paris Plane by C.R.W. Nevinson, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA00564

From a Paris Plane was first exhibited at the Leicester Galleries, London in October 1930 (cat. no. 29) and published as an edition of 25.

CRW Nevinson lithograph print of a view from a biplane over Paris, 1920s, Copyright expired. / RAF Museum

In the Air (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04047

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

In the Air by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a birdu2019s-eye view of patchwork fields and two pusher biplanes below., RAF Museum

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper

Fine Art, In Storage, FA01183

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper, 1943. The verso is a study of Flight Sergeant Alexander Quadling's figure and uniform., The artist's estate, Bridgeman Images / RAF Museum