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Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (III) by Anne Newland, graphite and watercolour on paper
Fine Art, In Storage, FA01376
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (I) by Anne Newland, graphite and watercolour on paper
Fine Art, In Storage, FA01380
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Air Raid by Cyril Power, linocut
Fine Art, In Storage, FA00562
Power’s linocut print of a biplane ‘dog fight’ recalls his First World War service in the Royal Flying Corps, when he supervised aircraft repairs at Lympne aerodrome, Kent. He developed the print in four lino-block colour separations of red, light blue, grey and dark blue from a wartime sketch.
Flying Officer Wilfred M Sizer DFC, No. 213 Squadron by Cuthbert Orde, charcoal on paper
Fine Art, In Storage, FA03284
This portrait is one of many that the Air Ministry commissioned from Cuthbert Orde, independently of the War Artists' Advisory Committee, to promote the contributions of Fighter Command pilots during the Battle of Britain.
Damaged Propellers Arrive at a Maintenance Station by Roland Vivian Pitchforth, watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, L001-1793
From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD5014.
Fired Out Engines by Roland Vivian Pitchforth, watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, L001-1794
From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD1989.
Speed, Moment of Force by Paul Sayers, oil on canvas
Fine Art, London, Art Gallery, Hangar Three, FA02073
This is one of twelve paintings Sayers made to commemorate the Battle of Britain, which he first exhibited at London’s Barbican Centre before touring them to the RAF Museum in 1990.
Making an Engine (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph
Fine Art, In Storage, FA04046
Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.
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