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Study for 'Take Off': Flight Engineer Alexander Quadling by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01199

This detailed preparatory study of Flight Sergeant Alexander Quadling, a Flight Engineer, is one of many large drawings Knight made for the painting ‘Take Off’ (1943, Imperial War Museums), in which she represented a Stirling bomber crew at RAF Mildenhall preparing for flight.

Study for 'Take Off': Flight Engineer Alexander Quadling by Dame Laura Knight, graphite on paper, 1943, RAF Museum/Iain Duncan / RAF Museum

Was this Metal Monster Master or Slave? (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05377

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

The Ultimate Planet (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05374

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Going to be Decorated: Bomber Command by Alfred Reginald Thomson, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, L001-1885

In this work, Bomber Command airmen in a hut celebrate news of their awards for distinguished service. After an evening of drinking, they have left behind an empty decanter and glasses, and have playfully climbed to the rafters of the building.

Going to be Decorated: Bomber Command by Alfred Reginald Thomson, oil on canvas, Consult Collection Curator before use. / RAF Museum

Banking at 4000 Feet (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04048

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Banking at 4,000 Feet by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a biplane banking towards the starboard side, above a birds-eye view of patchwork fields. The passenger's right hand grips part of the airframe during this sharp manoeuvre., RAF Museum

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01370

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper, 1943, The artist's estate / RAF Museum / RAF Museum

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01208

This detailed study represents the interior of a Stirling Bomber aircraft. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

Bristol Aeroplane Company, Corsham by Olga Lehmann, oil on canvas

Fine Art, FA01375

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Bristol Aeroplane Company, Corsham by Olga Lehmann, oil on canvas, 1943, The artist's estate / RAF Museum / RAF Museum

Rear Gunner (Pilot Officer Percy Arthur Dalton) by Jacob Kramer, lithograph

Fine Art, In Storage, FA00821

Jacob Kramer made this portrait when his Leeds friend Percy Dalton joined the RAF Volunteer Reserve. Following his promotion to Flight Lieutenant, Dalton died when his Wellington bomber was shot down over France in 1942.

Jacob Kramer lithographic portrait of Rear Gunner Pilot Officer Percy Arthur Dalton, Consult Collection Curator before use. / RAF Museum

Winged Figure: Icarus by John Armstrong, tempera on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00261

This is one of many abstract works on the Greek mythological theme of Icarus which British Surrealist John Armstrong made between 1939 and 1968, spanning the Second World War to the Cold War.

John Armstrong tempera painting of Icarus - an abstract work resembling a rod topped with a cratered orb, with two skeletal wings., The Estate of John Armstrong / Bridgeman Images. / RAF Museum