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An Officer from Tasmania 318: Flt Lt Falkinder by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00931

Charles William Falkinder from Tasmania enlisted in the Royal Australian Air Force (RAAF) in May 1940, where he undertook pilot and navigator training. He was among the first of the Empire Air Training Scheme trainees to serve with the RAF, arriving in England in August 1941. He flew 117 missions over Europe with RAF Bomber Command.

Bust length portrait in coloured chalks, frontally posed, wearing RAAF uniform with flying badge, medal ribbons and Pathfinder Force badge, without a cap. Small associative landscape drawing of Tasmania in upper right corner., RAF Museum

Study for Bristol Aeroplane Company, Corsham by Olga Lehmann, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, X008-7550

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for BAC Underground Factory, Corsham by Olga Lehmann, The artist's estate

Filter Room by Elva Blacker, watercolour on paper

Fine Art, In Storage, FA04235

This scene is contrived from numerous portrait studies of RAF personnel. They are represented busy at work in the Filter Room at RAF Biggin Hill, a station that played a key role in the Battle of Britain in 1940.

Elva Blacker ink drawing of WAAFs and officers in a filter room, Biggin Hill, Trustees of the RAF Museum/Iain Duncan / RAF Museum

The Last of the Few: John Hemingway by Alistair Morrison, digital photograph, inkjet-printed onto Hahnemuhle paper

Fine Art, 2023, London, Art Gallery, Hangar Three, X008-9477

Alistair Morrison photographed Group Captain John ‘Paddy’ Hemingway DFC AE (17 July 1919 - 17 March 2025) in 2023, at age 104, honouring him as the last surviving Battle of Britain pilot.

The Last of the Few: John Hemingway by Alistair Morrison, digital photograph, inkjet-printed onto Hahnemuhle paper, 2024. In this picture the then 104-year-old veteran, Hemingway, is seated in a large green chair, wearing his RAF uniform and medals, adjacent to a table upon which black and white photographs of his Second World War service sit, together with his open log book. He confronts the viewer with a sharp, intense gaze., RAF Museum

A WAAF from Kenya, 302: Cpl M McClelland by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00940

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Head and shoulders chalk portrait of a woman wearing WAAF uniform without cap. Small associative landscape drawing of Kenya in upper right corner., RAF Museum

An Officer from New South Wales, Australia, 276: F/O Arthur Edward Kell by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00928

Flying Officer Arthur Edward Kell DFC (1918-1968) was an Australian pilot who undertook two operational tours and 59 sorties with RAF Bomber Command during the Second World War.

Bust length coloured chalk portrait of Australian officer, facing forward and turned right, wearing War Service Dress uniform with pilot's wings and medal ribbons. Small associative landscape drawing of Australia in upper right corner., RAF Museum

Squadron Leader Philip Robert Beare DFC by Eric Kennington, pastel on paper

Fine Art, In Storage, L001-1655

This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.

Squadron Leader Philip Robert Beare DFC by Eric Kennington, pastel on paper, 1940, © RAF Museum / RAF Museum

Spanish Refugee Family by Rachel Reckitt, oil on canvas

Fine Art, In Storage, FA02109

This is a rare scene of refugees from the Spanish Civil War (1936-39) who remained living in London during the Blitz. Reliant on charities, they were shockingly neglected and received no financial assistance from the Government or local authorities.

Rachel Reckitt painting of a Spanish refugee family sheltering and sleeping, © Golsoncott Trust / RAF Museum

Royal Observer Corps, Rottingdean by Roland Vivian Pitchforth, watercolour on paper

Fine Art, In Storage, L001-1900

As an Official War Artist, Roland Vivian Pitchforth undertook many commissions through the War Artists' Advisory Committee during the Second World War. This watercolour shows a Royal Observer Corps observation post. It was commissioned by the Admiralty as part of a series representing naval vessels and subjects related to maritime warfare around the British coastline.

Roland Vivian Pitchforth watercolour of Royal Observer Corps observers at an observation post in Rottingdean, © RAF Museum / RAF Museum

Night Raid, 1917 by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, X003-2167

Earlier in the First World War Nevinson volunteered as an ambulance driver for the Friends Ambulance Unit in Dunkirk, after which, upon contracting rheumatic fever, he returned to London, exhibited war-themed drypoint prints and volunteered as an orderly in the Royal Army Medical Corps. In 1917 he became an Official War Artist, initially making propagandist lithographs on the theme of Building Aircraft for the Department of Information's project, 'The Great War: Britain's Efforts and Ideals'. Returning to France in July 1917, he went on to paint some of his most memorable and defining pictures of the war.

Night Raid, 1917 by C.R.W. Nevinson, oil on canvas, c.1920s. Dark painting of a Short Admiralty Type 184 biplane viewed from port rear three-quarters and above, flying through white-yellow burst of anti-aircraft fire. Bombing from the biplane is indicated in red., The artist's estate / RAF Museum / RAF Museum