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Studies of Contrails by Rudolf Sauter, watercolour and chalk on paper
Fine Art, In Storage, FA00172
These four studies of aircraft contrails come from a body of drawings of the subject which Rudolf Sauter made in October 1940 during the Battle of Britain. Later, he also depicted iridescent watercolours of Fighter Command aircraft flying at dawn.
Eden Hotel, Berlin by Julius Stafford-Baker, graphite and watercolour on paper
Fine Art, 1945, London, Art Gallery, Hangar Three, L001-1809
During Germany’s Weimar Republic (1918-1933), Berlin’s elegant Eden Hotel was a hub for artists, writers and actors, but later became a meeting place for Nazi party officials. In November 1943 the hotel was destroyed in RAF Bomber Command’s devastating Battle of Berlin campaign.
An Airman from Zanzibar, 322: I. Barwani by Edith Honor Earl, chalk on paper
Fine Art, In Storage, FA00929
Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London's Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.
The London Blitz – Ruined Buildings by Claude Rowberry, watercolour and charcoal on paper
Fine Art, In Storage, X002-9662
This is one of a number of works made by Claude Rowberry in which he represented the devastation caused by enemy bombing raids. Rowberry visited bomb sites with his sketchbook, drawing from first-hand encounters. Although he made many drawings during the London Blitz, he depicted this ruin scene after the war.
Flight Lieutenant John Colin Mungo-Park DFC by Eric Kennington, pastel on paper
Fine Art, In Storage, L001-1704
This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.
Flight Lieutenant Geoffrey Allard DFC, DFM by Cuthbert Orde, charcoal and chalk on paper
Fine Art, In Storage, L001-1649
This portrait is one of many that the Air Ministry commissioned from Cuthbert Orde, independently of the War Artists' Advisory Committee (WAAC), to promote the contributions of Fighter Command pilots during the Battle of Britain. It was illustrated in Orde's 1942 book 'Pilots of Fighter Command: Sixty-four Portraits'.
The Battle of Egypt: Advanced Dressing Station Interior by Anthony Gross, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, L001-1912
Anthony Gross made over 30 watercolours of the First Battle of El Alamein in July 1942 when, as an Official War Artist, he was commissioned to record the Middle East theatre of war.
Noon by Emile Antoine Verpilleux, oil on canvas
Fine Art, London, Hangar Two, X002-9669
Emile Verpilleux was a British artist who served as a ground wireless officer in the RAF during the First World War. 'Noon' is one of a series of pictures he painted after the War showing the work of the RAF in the air and on the ground.
Fighter Affiliation: Halifax and Hurricane by Walter Thomas Monnington, oil on canvas
Fine Art, London, Art Gallery, Hangar Three, L001-1755
This painting represents a Fighter Affiliation exercise in which the crew of a Halifax bomber were trained to out-manoeuvre a naturally faster and more agile Hurricane fighter. The exercise was designed to emulate the real-life situations faced by bomber crew pursued by enemy fighters.
The London Blitz – Interior of a Ruined House by Claude Rowberry, gouache and charcoal on paper
Fine Art, In Storage, X002-9645
This gouache painting represents a deceased figure amid the rubble of a bombed house, a scene from the London Blitz witnessed and recorded by Lieutenant Colonel Claude Rowberry.
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