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No. 19 Air Flight over Wytschaete by Paul Nash, watercolour, gouache and chalk on paper

Fine Art, London, Art Gallery, Hangar Three, FA00848

From February 1917, Nash served with the Hampshire Regiment in the trenches of Flanders, on the Western Front. This is one of 50 drawings he made of the Ypres Salient battlefields that November, when he returned to the Front after injury, now serving as an Official War Artist.

No.19 Air Flight Over Wytschaete by Paul Nash, Paul Nash. watercolour, gouache and chalks on paper, 1917., Copyright expired.

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942. Paul Nash. Watercolour on paper, 1942, The artist's estate

Crucifixion by Gladys Hynes, oil on cardboard

Fine Art, London, Art Gallery, Hangar Three, FA04334

Gladys Hynes painted ‘Crucifixion’ in 1939 as one of several artistic statements against Britain’s declaration of war on Germany.

Gladys Hynes oil on cardboard painting of a pilot with his arms outstretched in the pose of a crucifixion on an aircraft, Please contact Museum Copyright Officer or Collection Curator before using this asset / RAF Museum

Aircraft Fuselage and Wind Tunnel by Barbara Jones, watercolour and graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA02454

This is one of three watercolours Barbara Jones painted of wind tunnel testing at the Royal Aircraft Establishment, Farnborough.

Barbara Jones watercolour of a Fairey Battle Mk1 aircraft being modified with a Napier Sabre engine for wind tunnel testing, © The Estate of Barbara Jones. / RAF Museum

WRAF Technician Servicing a Helicopter at Shawbury by Boyd & Evans, crayon on paper

Fine Art, London, Art Gallery, Hangar Three, FA00495

Fionnuala Boyd and Les Evans work inter-dependently as an artistic partnership, at times drawing on the same leaves of paper to realise a shared vision. Photography is central to their practice. In the studio, when away from the subject, they based their drawings on photographs, and today photography is their main medium.

WRAF Technician Servicing A helicopter at Shawbury by Leslie Evans and Fionnuala Boyd, pencil crayon on paper, Boyd & Evans / RAF Museum

Kamikaze Planes Crashing on the Deck of HMS Formidable in Japanese Waters, 1945, by Leonard Rosoman, watercolour and wax crayon on paper

Fine Art, London, Art Gallery, Hangar Three, FA05610

Prior to his appointment as an Official War Artist, Rosoman had worked for the National Fire Service in London during the Blitz. As a ‘fireman artist’ he developed an artistic language that captured the immediacy and drama of events, with bright contrasting colours and expressive painterly markings.

Leonard Rosoman watercolour and crayon drawing of a Kamikaze crash on the desk of HMS Formidable in 1945, Consult Collection Curator before use. / RAF Museum

The Lightning by Humphrey Ocean, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00991

A decade after his musical explorations with singer Ian Dury’s band Kilburn and the High Roads, painter Humphrey Ocean was commissioned by the RAF Museum to represent the English Electric Lightning F6 aircraft at RAF Binbrook just before its withdrawal from service.

Copyright restrictions prevent us from showing this image

Spitfires on a Camouflaged Runway by Eric Ravilious, watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1791

After his first assignment with the Admiralty, from February 1942 Official War Artist Eric Ravilious worked on Air Ministry subjects.

Spitfires on a Camouflaged Runway by Eric Ravilious, watercolour on paper, Crown copyright: expired RAF Museum / RAF Museum

Study for the Lightning by Humphrey Ocean, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA00917

‘The project spanned two years, beginning in January 1987 after the Museum’s then Curator of Art, the late Tony Harold, got in touch. He had liked my painting Lord Volvo and His Estate (1982, Wolverhampton Art Gallery) and thought about how I might translate my treatment of the automobile and men into depicting RAF aircraft and crew.

Copyright restrictions prevent us from showing this image

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum