Showing 1 to 10 of 15 search results for Badge of 307 Squadron

Whitley Bomber: Dawn Return by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, FA00779

Christopher Nevinson’s painting represents a Whitley bomber coming in to land, returning from a night raid over Germany during the Battle of Britain.

CRW Nevinson oil painting of Whitley bombers returning at dawn after a night raid, © RAF Museum / RAF Museum

Studies for 'Take Off': Cockpit Interior with Pilot and Co-Pilot (recto); Arm and Hand of Flight Engineer (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01182

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Interior with Pilot and Co-Pilot (recto); Arm and Hand of Flight Engineer (verso) by Dame Laura Knight, charcoal on paper, 1943. The recto side of the paper bears a loose preparatory study of Flight Sergeant Alexander Quadling who, in the oil painting, extends his hand to operate a switch on the flight engineer's panel., The artist's estate, Bridgeman Images / RAF Museum

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01208

This detailed study represents the interior of a Stirling Bomber aircraft. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942. Paul Nash. Watercolour on paper, 1942, The artist's estate

The Battle of Britain by Paul Nash, lithograph

Fine Art, In Storage, FA01314

This print published by the National Gallery was lithographically produced at the Curwen Press after Paul Nash's major oil painting, 'The Battle of Britain' (1941, Imperial War Museums). This was one of four ambitious, large-scale war pictures Nash painted for the Ministry of Information (MOI) as an Official War Artist.

The Battle of Britain by Paul Nash, lithograph, 1941, published by the National Gallery, Crown copyright: expired.

Moonlight Voyage: Hampden Flying Above the Clouds by Paul Nash, lithograph

Fine Art, In Storage, FA01315

This lithograph was published by the National Gallery and the Ministry of Information after an original watercolour by Paul Nash from his series ‘Aerial Creatures’, commissioned through the War Artists’ Advisory Committee (WAAC) for the Air Ministry in 1940.

Moonlight Voyage: Hampden Flying Above the Clouds by Paul Nash, lithograph, Crown copyright: expired. / RAF Museum

Fun Helped Them Fight (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05373

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper

Fine Art, In Storage, FA01183

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper, 1943. The verso is a study of Flight Sergeant Alexander Quadling's figure and uniform., The artist's estate, Bridgeman Images / RAF Museum

Picketed Aircraft by Graham Sutherland, gouache on paper

Fine Art, In Storage, L001-1890

Better known for his grotesque and surreal visions of bomb damage, Graham Sutherland had also made gouache paintings of bomber aircraft early in the Second World War. Three were purchased by the War Artists’ Advisory Committee (WAAC).

Graham Sutherland watercolour and gouache of a camouflaged bomber, Crown copyright (expired) / RAF Museum / RAF Museum

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01202

Knight made this charcoal study of Flight Sergeant Alexander Quadling for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal on paper, 1943. Loosely sketched charcoal drawing of Alexander Quadling, Flight Engineer, crouching inside the Stirling bomber cockpit., RAF Museum