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Bust of Sir Alex Henshaw by Reginald Lewis, bronze

Fine Art, In Storage, X004-0151

This bronze was made by Reginald Lewis in 1944 while Sir Alex was chief production test pilot at the Vickers-Supermarine Works at Castle Bromwich near Birmingham.

Bust of Sir Alex Henshaw by Reginald Lewis, bronze, Every effort has been made to identify the owner of copyright in this work. If you are the current owner or their agent, please contact us at askcollections@rafmuseum.org © RAF Museum / The artist's estate / RAF Museum

An Officer from Salisbury, Southern Rhodesia, 281: Flt Lt Taylor by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00925

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Bust length portrait in coloured chalks, figure frontally posed, wearing No.1 RAF uniform with Observer's brevet and DFC ribbon, without cap. Head resting on left hand. Small associative landscape drawing of Southern Rhodesia in upper right corner., RAF Museum

An Airman from Ceylon, 294: Sielman by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00927

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Bust length portrait in coloured chalks, positioning turning to the sitter's left, wearing RAF uniform without a cap. Small associative landscape drawing of Ceylon (Sri Lanka) on upper right corner of composition., RAF Museum

An Officer from South Australia, 297: Sqn Ldr D.H. Smith by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00922

Donald Hamilton Smith (1915-1999) enlisted into the Royal Australian Air (RAAF) Citizens Air Force in August 1940 after the Battle of France.

Bust length colour chalk portrait of an Australian officer, frontally posed, in RAAF No. 1 Dress without cap. Small associative landscape drawing of Southern Australia in upper right corner., RAF Museum

An Officer from Tasmania 318: Flt Lt Falkinder by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00931

Charles William Falkinder from Tasmania enlisted in the Royal Australian Air Force (RAAF) in May 1940, where he undertook pilot and navigator training. He was among the first of the Empire Air Training Scheme trainees to serve with the RAF, arriving in England in August 1941. He flew 117 missions over Europe with RAF Bomber Command.

Bust length portrait in coloured chalks, frontally posed, wearing RAAF uniform with flying badge, medal ribbons and Pathfinder Force badge, without a cap. Small associative landscape drawing of Tasmania in upper right corner., RAF Museum

Yours Till the Boys Come Home (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05412

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Merry Christmas with T-1 Space Suits (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05398

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

A New Brand of Brilliance (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05399

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Fun Helped Them Fight (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05373

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image