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Hawker Harrier by Bryan Organ, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05592

Two years after the RAF Museum opened to visitors, it commissioned Bryan Organ, known for his depictions of famous people, to paint a ‘portrait’ of the Hawker Siddeley Harrier aircraft. Several years later, he also drew the Museum’s founding Director, Dr John Tanner.

Hawker Harrier by Bryan Organ, oil on canvas, Bryan Organ and the Redfern Gallery / RAF Museum

Assembling Parts (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04045

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Assembling Parts by C.R.W. Nevinson, lithograph, 1917. Black and white, semi-abstract image of male and female factory workers in overalls assembling a First World War biplane., RAF Museum

In the Air (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04047

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

In the Air by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a birdu2019s-eye view of patchwork fields and two pusher biplanes below., RAF Museum

Take-off (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05370

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Swooping Down on a Taube (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04043

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Swooping Down on a Taube by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a two-seat biplane diving towards a German 'Taube' monoplane., RAF Museum

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum

Three Aircraft by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, FA00982

This painting represents three Hawker Hurricane fighter aircraft flying in formation in a cloudy sky over the British landscape during the Battle of Britain.

CRW Nevinson oil painting of Hurricane aircraft flying in formation over a landscape view, © RAF Museum / RAF Museum