Showing 151 to 160 of 216 search results

Fun Helped Them Fight (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05373

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Evadne in Green Dimension (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05371

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Aircraft Fuselage and Wind Tunnel by Barbara Jones, watercolour and graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA02454

This is one of three watercolours Barbara Jones painted of wind tunnel testing at the Royal Aircraft Establishment, Farnborough.

Barbara Jones watercolour of a Fairey Battle Mk1 aircraft being modified with a Napier Sabre engine for wind tunnel testing, © The Estate of Barbara Jones. / RAF Museum

Study: In for Repairs by Dame Laura Knight, graphite and watercolour on paper

Fine Art, In Storage, FA01174

This watercolour study by Dame Laura Knight is a preparatory drawing for the painting 'In for Repairs' (1942, Harris Museum and Library) that shows Women’s Auxiliary Air Force (WAAF) operators repairing a damaged barrage balloon at RAF Wythall in Birmingham.

Study: In for Repairs by Dame Laura Knight, graphite and watercolour on paper, The artist's estate and Bridgeman Images / RAF Museum

Wings by Raymond McGrath, watercolour and ink on canvas board

Fine Art, In Storage, L001-1909

This is one of 16 watercolours made by Australian modernist architect Raymond McGrath for his Official War Artist commission with the Ministry of Information.

Watercolour of a row of upright aircraft wing tips against corrugated steel walls, as a plane under assembly passes on roller, Crown copyright (expired) / RAF Museum

St. John Ambulance Brigade at Work in a London Underground Station by Doris Zinkeisen, watercolour and gouache on paper

Fine Art, In Storage, FA01160

This work represents one of the many first-aid posts established in London Underground shelters during the Second World War. It shows Civil Defence workers’ combined duties of medical and Air Raid Precautions support.

Doris Zinkeisen watercolour of an underground shelter scene of a first aid post with St John Ambulance nurses, Trustees of the Royal Air Force Museum / RAF Museum

Hampdens (from Aerial Creatures) by Paul Nash, graphite and watercolour on paper

Fine Art, In Storage, L001-1757

This (now discoloured) study of Hampden bombers ascending from an airfield is one of 22 ‘Aerial Creatures’ watercolours Paul Nash made for his Official War Artist commission with the Air Ministry.

Hampdens (from Aerial Creatures) by Paul Nash, graphite and watercolour on paper, Crown copyright: expired. / RAF Museum

Picketed Aircraft by Graham Sutherland, gouache on paper

Fine Art, In Storage, L001-1890

Better known for his grotesque and surreal visions of bomb damage, Graham Sutherland had also made gouache paintings of bomber aircraft early in the Second World War. Three were purchased by the War Artists’ Advisory Committee (WAAC).

Graham Sutherland watercolour and gouache of a camouflaged bomber, Crown copyright (expired) / RAF Museum / RAF Museum

Filter Room by Elva Blacker, watercolour on paper

Fine Art, In Storage, FA04235

This scene is contrived from numerous portrait studies of RAF personnel. They are represented busy at work in the Filter Room at RAF Biggin Hill, a station that played a key role in the Battle of Britain in 1940.

Elva Blacker ink drawing of WAAFs and officers in a filter room, Biggin Hill, Trustees of the RAF Museum/Iain Duncan / RAF Museum

Halifax Attack by Paul Nash, watercolour and chalk on paper

Fine Art, In Storage, FA02819

This is one of a number of watercolours Paul Nash produced when commissioned through the War Artists’ Advisory Committee as the Air Ministry’s Official War Artist from March to December 1940.

Halifax Attack by Paul Nash, watercolour and gouache on paper, Artist copyright expired / RAF Museum