Showing 11 to 20 of 66 search results

Merry Christmas with T-1 Space Suits (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05398

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Yours Till the Boys Come Home (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05412

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VI) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01379

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Baghdad and the River Tigris from 10000 ft Looking North Towards Khadimain by Richard Carline, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00893

Richard and his elder brother Sydney became Official War Artists of RAF subjects in 1918 after serving as a wireless operator and a fighter pilot respectively – Richard in France and Sydney in Italy.

Richard Carline aerial view painting of Baghdad and the River Tigris, © The Estate of Richard Carline / Bridgeman Images. / RAF Museum

Study for Bristol Aeroplane Company, Corsham by Olga Lehmann, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, X008-7550

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for BAC Underground Factory, Corsham by Olga Lehmann, The artist's estate

The Bastard Word Studies by Fiona Banner aka The Vanity Press, graphite on Fabriano paper

Fine Art, London, Art Gallery, Hangar Three, X008-7568

Fiona Banner's art explores the relationship between language and conflict. Her suite of drawings, The Bastard Word Studies, signifies how the failure of language fuels war.

The Bastard Word Studies by Fiona Banner, graphite on paper, 2006-7., Fiona Banner aka The Vanity Press / RAF Museum

Air Sea Rescue Launch by Sybil Andrews, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00993

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Sybil Andrews painting of an Air Sea Rescue boat, ready for launch, Glenbow Museum of Art, Calgary, Alberta, Canada. / RAF Museum

Producing Model Buildings in the Camouflage Workshop, Ministry of Home Security Camouflage Establishment by Anne Newland, ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA01384

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland ink drawing of artists and designers making building models in the Ministry of Home Security Camouflage Establishment, Leamington Spa, Consult Collection Curator before use. / RAF Museum

Evoluzioni Spiraliche di Aerei [Spiralling Evolutions of Aeroplanes] by Enrico Castello ('Chin'), oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00561

In 1918 Italian Futurist painter Enrico Castello, otherwise known as ‘Chin’, represented this combative vision after serving as a fighter pilot. That year, at the end of the war, poet Filippo Marinetti revived the Futurist art movement he had founded in Milan in 1909.

Enrico Castello ('Chin') oil painting of an Italian aircraft over a coastal landscape, RAF Museum