Showing 31 to 40 of 66 search results

Ferry Pilots by Ethel Gabain, lithograph

Fine Art, London, Art Gallery, Hangar Three, L001-1883

Ethel Gabain produced two Air Transport Auxiliary (ATA) subjects for her Official War Artist commission about ‘women doing men’s work in wartime’. In this work she represents female pilots departing from Hatfield aerodrome in a Tiger Moth.

Ferry Pilots by Ethel Gabain, lithograph, Crown copyright: expired. / RAF Museum

Evadne in Green Dimension (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05371

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Wind Tunnel Test (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05391

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

No. 19 Air Flight over Wytschaete by Paul Nash, watercolour, gouache and chalk on paper

Fine Art, London, Art Gallery, Hangar Three, FA00848

From February 1917, Nash served with the Hampshire Regiment in the trenches of Flanders, on the Western Front. This is one of 50 drawings he made of the Ypres Salient battlefields that November, when he returned to the Front after injury, now serving as an Official War Artist.

No.19 Air Flight Over Wytschaete by Paul Nash, Paul Nash.  watercolour, gouache and chalks on paper, 1917., Copyright expired.

Man Holds the Key (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05397

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

I was a Rich Man's Plaything (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05394

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Take-off (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05370

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Walrus Amphibian Aircraft by Raymond McGrath, watercolour on canvas board

Fine Art, London, Art Gallery, Hangar Three, L001-1785

An amphibious biplane, the Walrus was used for RAF air-sea rescue missions to patrol British waters, the Mediterranean and the Bay of Bengal, to recover crew from downed aircraft.

Walrus amphibian aircraft. Raymond McGrath. Watercolour on paper., Crown copyright (expired) / RAF Museum

Damaged Propellers Arrive at a Maintenance Station by Roland Vivian Pitchforth, watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1793

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD5014.

Damaged Propellers Arrive at a Maintenance Station by Roland Vivian Pitchforth, watercolour on paper, 1942, © RAF Museum / RAF Museum

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1859

After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper, © RAF Museum / RAF Museum