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A WAAF from Kenya, 302: Cpl M McClelland by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00940

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Head and shoulders chalk portrait of a woman wearing WAAF uniform without cap. Small associative landscape drawing of Kenya in upper right corner., RAF Museum

An Airman from Mauritius, 306: AC2 Lewis Yves Limki by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00937

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Head and shoulders portrait drawing in chalks of young Mauritian airman, figure leaning forward, wearing RAF uniform with forage cap and white flash, with shoulder badge and telecommunications badge. Small associative landscape drawing of Mauritius in lower left corner., RAF Museum

An Airman from Nigeria, 309: Cdt A. Dewale by Edith Honor Earl, chalk on paper

Fine Art, 1944, In Storage, FA00936

Edith Honor Earl made this portrait drawing for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London’s Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Head and shoulders chalk portrait, in profile, of a Nigerian airman in RAF uniform with shoulder badge and shoulder title. Small associative landscape drawing of Nigeria in lower left corner, RAF Museum

An Officer from Fiji, 297: Pilot Officer E.L.P. Bradnam by Edith Honor Earl, chalk on paper

Fine Art, In Storage, FA00921

Edith Honor Earl made this portrait for her exhibition 'Warriors of the Empire' with the Royal Empire Society, which opened in London's Grosvenor House in December 1944. It is one of 22 portraits by her in the RAF Museum collection (besides others elsewhere) which celebrate the contributions of Service personnel from the British colonies and Commonwealth in the Second World War.

Bust length chalk portrait drawing of a male Officer wearing no.1 dress uniform and cap. A drawing in the bottom left corner of a Fijian ceremonial tabua., RAF Museum

Steel Ladle by Graham Sutherland, gouache, ink, graphite and collaged paper on paper

Fine Art, In Storage, X008-9485

Graham Sutherland was employed as a full-time Official War Artist, placed with the Ministry of Home Security to depict scenes of bomb damage, and then with the Ministry of Supply, to represent industrial production.

Molten steel being poured into a ladle from a furnace., The artist's estate / RAF Museum.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01202

Knight made this charcoal study of Flight Sergeant Alexander Quadling for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal on paper, 1943. Loosely sketched charcoal drawing of Alexander Quadling, Flight Engineer, crouching inside the Stirling bomber cockpit., RAF Museum

Studies for 'Take Off': Pilot (recto); Navigator's Map and Equipment (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01181

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Pilot (recto); Navigator's Map and Equipment (verso) by Dame Laura Knight, charcoal on paper, 1943. On the verso is a study of the flight navigator's map, pencils and navigation computer., The artist's estate, Bridgeman Images / RAF Museum

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper

Fine Art, In Storage, FA01183

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper, 1943. The verso is a study of Flight Sergeant Alexander Quadling's figure and uniform., The artist's estate, Bridgeman Images / RAF Museum

Studies for 'Take Off': Cockpit Interior with Pilot and Co-Pilot (recto); Arm and Hand of Flight Engineer (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01182

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': The verso includes drawings of the pilots (Flight Lieutenant D.A. Stuart White and Flying Officer Kenneth John Bettles) and cockpit interior, including, on the right side, a parachute snap-hook., The artist's estate, Bridgeman Images / RAF Museum

Night Raid, 1917 by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, X003-2167

Earlier in the First World War Nevinson volunteered as an ambulance driver for the Friends Ambulance Unit in Dunkirk, after which, upon contracting rheumatic fever, he returned to London, exhibited war-themed drypoint prints and volunteered as an orderly in the Royal Army Medical Corps. In 1917 he became an Official War Artist, initially making propagandist lithographs on the theme of Building Aircraft for the Department of Information's project, 'The Great War: Britain's Efforts and Ideals'. Returning to France in July 1917, he went on to paint some of his most memorable and defining pictures of the war.

Night Raid, 1917 by C.R.W. Nevinson, oil on canvas, c.1920s. Dark painting of a Short Admiralty Type 184 biplane viewed from port rear three-quarters and above, flying through white-yellow burst of anti-aircraft fire. Bombing from the biplane is indicated in red., The artist's estate / RAF Museum / RAF Museum