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Icarus III by Michael Ayron, bronze
Fine Art, London, Art Gallery, Hangar Three, FA20038
Although the career of Michael Ayrton – painter, sculptor, writer – defied neat categorisation, classical antiquity and its relevance to modern life was a recurring theme in his work.
Underground Bomb Store by David Bomberg, charcoal on paper.
Fine Art, London, Art Gallery, Hangar Three, L001-1747
In April 1942, for his Official War Artist commission, David Bomberg spent a fortnight 90 feet underground in the vast bomb store of RAF Fauld, Burton-on-Trent, where he saw bombs being loaded on to racks, ready for use.
Jeune Francais, vous pouvez accomplir votre service militaire legal comme pilote d'avions by Alfred Ballot-Beaupré, lithograph
Fine Art, London, Art Gallery, Hangar Three, FA10242
Translation: ‘As a young Frenchman, you can complete your statutory military service as an aircraft pilot’'. This is a recruitment poster for the Armée de l’Air, the air force of the French Army.
Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VIII) by Anne Newland, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, FA01378
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Night Flying at Hendon [unknown artist], lithograph
Fine Art, London, Art Gallery, Hangar Three, FA10708
From 1910 to 1968 Hendon airfield operated as an important centre for civil and military aviation.
A Group of Polish Pilots by Patrick Procktor, oil on canvas
Fine Art, London, Art Gallery, Hangar Three, FA05630
In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.
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