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Hier sehen Euch feindliche Flieger! Hier düfen Fahrzeuge night halten by Fr. Dohl, poster: lithograph on paper

Fine Art, London, Hangar Two, FA10178

Translation: Here hostile Airmen see You! Vehicles are not allowed to stop here at night.

Image pending

Halifax Turret - Study: Fighter Affiliation by Walter Thomas Monnington, graphite on paper

Fine Art, In Storage, FA02300

This diagrammatic drawing, labelling the features of a Halifax bomber aircraft, such as a gun turret, was made in preparation for a finished painting in the Imperial War Museums collection (LD 3769). Monnington made two paintings on the theme of Fighter Affiliation - the other in the care of the RAF Museum (L001-1755; LD 3770) - which depict the Halifax from different viewpoints while undergoing training manoeuvres.

Graphite on paper drawing depicting mid-upper Halifax bomber turret from the astro dome. With notes by artist., The artist's estate

Study: Fighter Affiliation by Walter Thomas Monnington, watercolour on paper

Fine Art, In Storage, FA02296

This watercolour is a compositional study for the painting 'Fighter Affiliation', commissioned by the War Artists' Advisory Committee in 1943 (see L001-1755; LD 3770). Monnington depicts a scene from the rear perspective of a Halifax bomber aircraft amid clouds, looking towards the gun turret and at an approaching Hurricane fighter aircraft in the distance.

Watercolour in blue tones representing a view from the rear of a Halifax bomber amid cloud formations, looking towards a Hurr, The artist's estate

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01202

Knight made this charcoal study of Flight Sergeant Alexander Quadling for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal on paper, 1943. Loosely sketched charcoal drawing of Alexander Quadling, Flight Engineer, crouching inside the Stirling bomber cockpit., RAF Museum

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper

Fine Art, In Storage, FA01183

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': Cockpit Instrument Panel (recto); Flight Engineer (verso) by Dame Laura Knight, Charcoal on paper, 1943. The verso is a study of Flight Sergeant Alexander Quadling's figure and uniform., The artist's estate, Bridgeman Images / RAF Museum

Studies for 'Take Off': Cockpit Interior with Pilot and Co-Pilot (recto); Arm and Hand of Flight Engineer (verso) by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01182

Knight made these charcoal studies for her painting 'Take Off' (1943, Imperial War Museums), which represents a Stirling bomber crew preparing for flight. Based at RAF Mildenhall with No. 15 Squadron, Knight, who did not accompany the crew in flight, posed the men as if they were about to embark on a raid over Germany.

Studies for 'Take Off': The verso includes drawings of the pilots (Flight Lieutenant D.A. Stuart White and Flying Officer Kenneth John Bettles) and cockpit interior, including, on the right side, a parachute snap-hook., The artist's estate, Bridgeman Images / RAF Museum

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01208

This detailed study represents the interior of a Stirling Bomber aircraft. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

Fighter Affiliation: Halifax and Hurricane by Walter Thomas Monnington, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, L001-1755

This is one of two paintings representing a Fighter Affiliation exercise in which the crew of a Halifax bomber were trained to out-manoeuvre a naturally faster and more agile Hurricane fighter. The exercise was designed to emulate the real-life situations faced by bomber crew pursued by enemy fighters, enabling them to practice positioning their turrets and gunsights, and make evasive manoeuvres, in response to attacks from challenging angles. This painting's companion picture is in the collection of Imperial War Museums (LD 3769).

Fighter affiliation: Halifax and Hurricane by Walter Thomas Monnington, © RAF Museum / RAF Museum

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and crashed Luftwaffe aircraft.

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper, The artist's estate / Consult Collection Curator before use.

Fun Helped Them Fight (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05373

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

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