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Yours Till the Boys Come Home (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05412

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

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Take-off (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05370

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Wind Tunnel Test (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05391

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

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