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Study for Bristol Aeroplane Company, Corsham: General View by Olga Lehmann, graphite, watercolour and ink on paper
Fine Art, In Storage, FA01369
A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.
Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper
Fine Art, In Storage, FA01370
A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.
Acetylene Welder (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph
Fine Art, In Storage, FA04044
Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.
Making an Engine (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph
Fine Art, In Storage, FA04046
Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.
Study for Bristol Aeroplane Company, Corsham: Production Line (ii) by Olga Lehmann, graphite, watercolour and ink on paper
Fine Art, In Storage, FA01371
A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.
Raider on the Moor by Paul Nash, lithograph
Fine Art, In Storage, FA00292
This lithograph was published by the National Gallery after an original watercolour by Paul Nash from his series ‘Raiders’, commissioned through the War Artists’ Advisory Committee (WAAC) in 1940
Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VIII) by Anne Newland, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, FA01378
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Rear Gun Turret and Tail of a Wellington Bomber by Eric Kennington, pastel and chalk on paper
Fine Art, In Storage, L001-1764
This is one of many pastel drawings Eric Kennington made for his full-time commission as the Air Ministry’s Official War Artist from 1940–1942.
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- United Kingdom
- Leamington Spa [8]
- Corsham [4]
- Wiltshire [4]
- North Atlantic Ocean [2]
- Binbrook [1]
- Canterbury [1]
- Channel Islands, The [1]
- Cologne [1]
- North America [1]