Showing 1 to 10 of 24 search results
Assembling Parts (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph
Fine Art, In Storage, FA04045
Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.
Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (III) by Anne Newland, graphite and watercolour on paper
Fine Art, In Storage, FA01376
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (I) by Anne Newland, graphite and watercolour on paper
Fine Art, In Storage, FA01380
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Entering the Ballonet by Robert Austin, charcoal on paper
Fine Art, In Storage, L001-1874
This drawing of women testing a balloon for leakage is one of several large-scale exhibition drawings by Robert Austin, commissioned through the War Artists’ Advisory Committee with RAF Balloon Command.
Wellington Bomber Drawn on the Day Hitler Invaded Belgium by Paul Nash, watercolour on paper
Fine Art, In Storage, L001-1761
This watercolour is part of ‘Aerial Creatures’, the second exhibited series of work by Paul Nash on Air Ministry subjects commissioned through the War Artists’ Advisory Committee. The composition is based upon Nash's photograph of a partially covered Wellington bomber which he took when visiting an airfield (Tate Collection).
The Battle of Britain by Paul Nash, lithograph
Fine Art, In Storage, FA01314
This print published by the National Gallery was lithographically produced at the Curwen Press after Paul Nash's major oil painting, 'The Battle of Britain' (1941, Imperial War Museums). This was one of four ambitious, large-scale war pictures Nash painted for the Ministry of Information (MOI) as an Official War Artist.
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