Showing 31 to 37 of 37 search results

Raider on the Moor by Paul Nash, lithograph on paper

Fine Art, In Storage, FA00292

This lithograph was published by the National Gallery after an original watercolour by Paul Nash from his series ‘Raiders’, commissioned through the War Artists’ Advisory Committee (WAAC) in 1940

Lithograph after a watercolour, representing a crashed Heinkel He111 aircraft depicted from a starboard perspective, on English moorland, with blue hills in the distance, Crown copyright: expired. / RAF Museum

Royal Observer Corps, Rottingdean by Roland Vivian Pitchforth, watercolour on paper

Fine Art, In Storage, L001-1900

As an Official War Artist, Roland Vivian Pitchforth undertook many commissions through the War Artists' Advisory Committee during the Second World War. This watercolour shows a Royal Observer Corps observation post. It was commissioned by the Admiralty as part of a series representing naval vessels and subjects related to maritime warfare around the British coastline.

Roland Vivian Pitchforth watercolour of Royal Observer Corps observers at an observation post in Rottingdean, © RAF Museum / RAF Museum

Rear Gun Turret and Tail of a Wellington Bomber by Eric Kennington, pastel and chalk on paper

Fine Art, In Storage, L001-1764

This is one of many pastel drawings Eric Kennington made for his full-time commission as the Air Ministry’s Official War Artist from 1940–1942.

Eric Kennington pastel drawing of a rear gun turret and tail of a Wellington bomber, © RAF Museum / RAF Museum

The Battle of Britain by Paul Nash, lithograph

Fine Art, In Storage, FA01314

This print published by the National Gallery was lithographically produced at the Curwen Press after Paul Nash's major oil painting, 'The Battle of Britain' (1941, Imperial War Museums). This was one of four ambitious, large-scale war pictures Nash painted for the Ministry of Information (MOI) as an Official War Artist.

Colour lithograph after original painting representing a dramatic pattern of contrails in blue sky - white contrails and formations of RAF aircraft representing Fighter Command's defence of Britain and smokey contrails the defeat of the enemy over the English Channel, Crown copyright: expired. / RAF Museum

Wellington Bomber Drawn on the Day Hitler Invaded Belgium by Paul Nash, watercolour on paper

Fine Art, In Storage, L001-1761

This watercolour is part of ‘Aerial Creatures’, the second exhibited series of work by Paul Nash on Air Ministry subjects commissioned through the War Artists’ Advisory Committee. The composition is based upon Nash's photograph of a partially covered Wellington bomber which he took when visiting an airfield (Tate Collection).

Watercolour drawing of a Wellington bomber on an airfield, port front view, with its nose covered. Hills in the landscape's background., Crown copyright: expired / RAF Museum / RAF Museum

Direct Hit by Adrian Hill, ink on paper

Fine Art, In Storage, FA01538

This Blitz scene is one of several drawings Adrian Hill made of Second World War subjects, and it might have formed part of a sequence of his ink drawings in the RAF Museum collection.

Adrian Hill ink drawing of a blitzed architectural scene as seen from above, Royal Air Force Museum / RAF Museum

Night Vigil by Anthony Gross, watercolour and ink on paper

Fine Art, In Storage, FA00814

This scene represents a member of the Observer Corps keeping watch from a sandbag look-out post, while barrage balloons are positioned to divert enemy aircraft away from air raid targets.

Night Vigil by Anthony Gross, watercolour and ink on paper, © The Estate of Anthony Gross. All Rights Reserved 2020 / Bridgeman Images / RAF Museum