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Messerschmitt Bf 110G-4

Aircraft & Exhibits, 1944-1945, London, Hangar Five, 78/A/954

The Bf110 was a highly versatile, twin-engine fighter, fighter bomber and night fighter aircraft used by the German Luftwaffe in the Second World War.

Starboard view of Bf 110, © RAF Museum / RAF Museum

Gloster Gladiator Mark I

Aircraft & Exhibits, AUG 1937-MAR 1948, Cosford, Hangar Two, 74/A/17

The Gloster Gladiator was the RAF's last biplane fighter and the first to feature an enclosed cockpit for the pilot. Deliveries began in 1937, with Gladiators continuing to serve in the early years of the Second World War.

Biplane with propeller and silver body and wings, © RAF Museum

Beer Mat from RAF Gan

Aircraft & Exhibits, 1975-1976, London, Hangar One, X002-3492

One of the remotest of these was RAF Gan, an airfield clinging to an atoll of the Maldives in the Indian Ocean.

White circular cardboard disc with light blue motif featuring a palm tree, © RAF Museum

Wings by Raymond McGrath, watercolour and ink on canvas board

Fine Art, In Storage, L001-1909

This is one of 16 watercolours made by Australian modernist architect Raymond McGrath for his Official War Artist commission with the Ministry of Information.

Watercolour of a row of upright aircraft wing tips against corrugated steel walls, as a plane under assembly passes on roller, Crown copyright (expired) / RAF Museum

St. John Ambulance Brigade at Work in a London Underground Station by Doris Zinkeisen, watercolour and gouache on paper

Fine Art, In Storage, FA01160

This work represents one of the many first-aid posts established in London Underground shelters during the Second World War. It shows Civil Defence workers’ combined duties of medical and Air Raid Precautions support.

Doris Zinkeisen watercolour of an underground shelter scene of a first aid post with St John Ambulance nurses, Trustees of the Royal Air Force Museum / RAF Museum

Filter Room by Elva Blacker, watercolour on paper

Fine Art, In Storage, FA04235

This scene is contrived from numerous portrait studies of RAF personnel. They are represented busy at work in the Filter Room at RAF Biggin Hill, a station that played a key role in the Battle of Britain in 1940.

Elva Blacker ink drawing of WAAFs and officers in a filter room, Biggin Hill, Trustees of the RAF Museum/Iain Duncan / RAF Museum

Hampdens (from Aerial Creatures) by Paul Nash, graphite and watercolour on paper

Fine Art, In Storage, L001-1757

This (now discoloured) study of Hampden bombers ascending from an airfield is one of 22 ‘Aerial Creatures’ watercolours Paul Nash made for his Official War Artist commission with the Air Ministry.

Hampdens (from Aerial Creatures) by Paul Nash, graphite and watercolour on paper, Crown copyright: expired. / RAF Museum

Picketed Aircraft by Graham Sutherland, gouache on paper

Fine Art, In Storage, L001-1890

Better known for his grotesque and surreal visions of bomb damage, Graham Sutherland had also made gouache paintings of bomber aircraft early in the Second World War. Three were purchased by the War Artists’ Advisory Committee (WAAC).

Graham Sutherland watercolour and gouache of a camouflaged bomber, Crown copyright (expired) / RAF Museum / RAF Museum

Premonition by Walter Nessler, oil on wood

Fine Art, In Storage, FA05591

Walter Nessler painted ‘Premonition’, his most notable work, after fleeing Nazi Germany. He became preoccupied by the Nazi-Fascist bombing of the Basque Country during the Spanish Civil War, memorialised in Picasso’s ‘Guernica’ (1937).

Premonition by Walter Nessler, oil on wood, The artist's estate / RAF Museum

Halifax Attack by Paul Nash, watercolour and chalk on paper

Fine Art, In Storage, FA02819

This is one of a number of watercolours Paul Nash produced when commissioned through the War Artists’ Advisory Committee as the Air Ministry’s Official War Artist from March to December 1940.

Halifax Attack by Paul Nash, watercolour and gouache on paper, Artist copyright expired / RAF Museum

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