Showing 1 to 10 of 12 search results for Nevinson

From a Paris Plane by C.R.W. Nevinson, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA00564

From a Paris Plane was first exhibited at the Leicester Galleries, London in October 1930 (cat. no. 29) and published as an edition of 25.

CRW Nevinson lithograph print of a view from a biplane over Paris, 1920s, Copyright expired. / RAF Museum

Taube Pursued by Commander Samson by C.R.W. Nevinson, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00842

In 1915, after volunteering as an ambulance driver in Dunkirk, Nevinson painted this imagined vision of Air Commodore Samson’s command. Samson’s Royal Naval Air Squadron had aggressively patrolled the French city against German reconnaissance.

CRW Nevinson abstract oil painting of a Taube aircraft being pursued, Copyright expired. / RAF Museum

Three Aircraft by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, FA00982

This painting represents three Hawker Hurricane fighter aircraft flying in formation in a cloudy sky over the British landscape during the Battle of Britain.

CRW Nevinson oil painting of Hurricane aircraft flying in formation over a landscape view, © RAF Museum / RAF Museum

Whitley Bomber: Dawn Return by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, FA00779

Christopher Nevinson’s painting represents a Whitley bomber coming in to land, returning from a night raid over Germany during the Battle of Britain.

CRW Nevinson oil painting of Whitley bombers returning at dawn after a night raid, RAF Museum

Night Raid, 1917 by C.R.W. Nevinson, oil on canvas

Fine Art, In Storage, X003-2167

Earlier in the First World War Nevinson volunteered as an ambulance driver for the Friends Ambulance Unit in Dunkirk, after which, upon contracting rheumatic fever, he returned to London, exhibited war-themed drypoint prints and volunteered as an orderly in the Royal Army Medical Corps. In 1917 he became an Official War Artist, initially making propagandist lithographs on the theme of Building Aircraft for the Department of Information's project, 'The Great War: Britain's Efforts and Ideals'. Returning to France in July 1917, he went on to paint some of his most memorable and defining pictures of the war.

Night Raid, 1917 by C.R.W. Nevinson, oil on canvas, c.1920s. Dark painting of a Short Admiralty Type 184 biplane viewed from port rear three-quarters and above, flying through white-yellow burst of anti-aircraft fire. Bombing from the biplane is indicated in red., The artist's estate / RAF Museum / RAF Museum

In the Air (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04047

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

In the Air by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a birdu2019s-eye view of patchwork fields and two pusher biplanes below., RAF Museum

Assembling Parts (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04045

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Assembling Parts by C.R.W. Nevinson, lithograph, 1917. Black and white, semi-abstract image of male and female factory workers in overalls assembling a First World War biplane., RAF Museum

Swooping Down on a Taube (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA00844

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Image pending

Banking at 4000 Feet (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04048

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Banking at 4,000 Feet by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a biplane banking towards the starboard side, above a birds-eye view of patchwork fields. The passenger's right hand grips part of the airframe during this sharp manoeuvre., RAF Museum

Swooping Down on a Taube (from The Great War: Britain's Efforts and Ideals - Building Aircraft) by C.R.W. Nevinson, lithograph

Fine Art, In Storage, FA04043

Nevinson made this print in 1917 as part of an ambitious multi-artist lithographic project known as 'The Great War: Britain's Efforts and Ideals' - a propagandist publishing scheme commissioned by the government’s Department of Information. For the 'Efforts' side of the series, nine artists each made six prints on assigned themes. Nevinson's theme was Building Aircraft, while others included Making Soldiers, Making Sailors (curiously there was no ‘Making Airmen’), Making Guns, and Building Ships. The aim of the series was to persuade people to contribute to the war effort, as serving personnel in the Armed Forces, factory workers or fabricators.

Swooping Down on a Taube by C.R.W. Nevinson, lithograph, 1917. Black and white semi-abstract image of a two-seat biplane diving towards a German 'Taube' monoplane., RAF Museum