Showing 51 to 60 of 66 search results

Speed, Moment of Force by Paul Sayers, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA02073

This is one of twelve paintings Sayers made to commemorate the Battle of Britain, which he first exhibited at London’s Barbican Centre before touring them to the RAF Museum in 1990.

Paul Sayers painting of an abstract impression of a fighter pilot's flight during the Battle of Britain, © Paul Sayers / RAF Museum

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942.  Paul Nash.  Watercolour on paper, 1942, The artist's estate

No. 19 Air Flight over Wytschaete by Paul Nash, watercolour, gouache and chalk on paper

Fine Art, London, Art Gallery, Hangar Three, FA00848

From February 1917, Nash served with the Hampshire Regiment in the trenches of Flanders, on the Western Front. This is one of 50 drawings he made of the Ypres Salient battlefields that November, when he returned to the Front after injury, now serving as an Official War Artist.

No.19 Air Flight Over Wytschaete by Paul Nash, Paul Nash.  watercolour, gouache and chalks on paper, 1917., Copyright expired.

Winged Figure III by Elisabeth Frink, bronze

Fine Art, London, Art Gallery, Hangar Three, FA20039

From her student days of the 1950s, to the late 1960s, Frink sculpted various winged figures which resembled men and birds as hybrid creatures. These were influenced by her childhood experiences of the Second World War.

Copyright restrictions prevent us from showing this image

Winged Figure: Icarus by John Armstrong, tempera on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00261

This is one of many abstract works on the Greek mythological theme of Icarus which British Surrealist John Armstrong made between 1939 and 1968, spanning the Second World War to the Cold War.

John Armstrong tempera painting of Icarus - an abstract work resembling a rod topped with a cratered orb, with two skeletal wings., The Estate of John Armstrong / Bridgeman Images. / RAF Museum

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1859

After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper, © RAF Museum / RAF Museum

Veteran Mechanic by Robert Austin, charcoal and pastel on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1903

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD607. On loan from the RAF Air Historical Branch (MOD).

Robert Austin pastel drawing of a veteran mechanic, © RAF Museum / RAF Museum

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum

Winged Figure by Elisabeth Frink, bronze

Fine Art, London, Art Gallery, Hangar Three, FA20048

From her student days of the 1950s, to the late 1960s, Frink sculpted various winged figures which resembled men and birds as hybrid creatures. These were influenced by her childhood experiences of the Second World War.

Copyright restrictions prevent us from showing this image

Was this Metal Monster Master or Slave? (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05377

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image