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Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VIII) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01378

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour mural study of the camouflage workshop, Ministry of Home Security, Leamington Spa, The artist's estate / RAF Museum / RAF Museum

The Winged Life (book cover design) by John Minton, watercolour, gouache and ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA00565

Minton designed this cover for a biography of the pioneering French aviator and writer Antoine de Saint-Exupéry, who disappeared in 1944 aboard a reconnaissance flight from Corsica.

John Minton book cover illustration for 'The Winged Life', depicting Antoine de Saint-Exupu00e9ry adjacent to an aircraft in flight, Consult Collection Curator before use. / RAF Museum

Icarus III by Michael Ayron, bronze

Fine Art, London, Art Gallery, Hangar Three, FA20038

Although the career of Michael Ayrton – painter, sculptor, writer – defied neat categorisation, classical antiquity and its relevance to modern life was a recurring theme in his work.

Icarus III, bronze by Michael Ayrton, 1960, The artist's estate / RAF Museum

Kamikaze Planes Crashing on the Deck of HMS Formidable in Japanese Waters, 1945, by Leonard Rosoman, watercolour and wax crayon on paper

Fine Art, London, Art Gallery, Hangar Three, FA05610

Prior to his appointment as an Official War Artist, Rosoman had worked for the National Fire Service in London during the Blitz. As a ‘fireman artist’ he developed an artistic language that captured the immediacy and drama of events, with bright contrasting colours and expressive painterly markings.

Leonard Rosoman watercolour and crayon drawing of a Kamikaze crash on the desk of HMS Formidable in 1945, Consult Collection Curator before use. / RAF Museum

Speed, Moment of Force by Paul Sayers, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA02073

This is one of twelve paintings Sayers made to commemorate the Battle of Britain, which he first exhibited at London’s Barbican Centre before touring them to the RAF Museum in 1990.

Paul Sayers painting of an abstract impression of a fighter pilot's flight during the Battle of Britain, © Paul Sayers / RAF Museum

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942.  Paul Nash.  Watercolour on paper, 1942, The artist's estate

No. 19 Air Flight over Wytschaete by Paul Nash, watercolour, gouache and chalk on paper

Fine Art, London, Art Gallery, Hangar Three, FA00848

From February 1917, Nash served with the Hampshire Regiment in the trenches of Flanders, on the Western Front. This is one of 50 drawings he made of the Ypres Salient battlefields that November, when he returned to the Front after injury, now serving as an Official War Artist.

No.19 Air Flight Over Wytschaete by Paul Nash, Paul Nash.  watercolour, gouache and chalks on paper, 1917., Copyright expired.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1859

After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper, © RAF Museum / RAF Museum

Veteran Mechanic by Robert Austin, charcoal and pastel on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1903

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD607. On loan from the RAF Air Historical Branch (MOD).

Robert Austin pastel drawing of a veteran mechanic, © RAF Museum / RAF Museum

Was this Metal Monster Master or Slave? (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05377

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

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