Showing 1 to 10 of 16 search results for Badge of 307 Squadron

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942. Paul Nash. Watercolour on paper, 1942, The artist's estate

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1859

After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper, © RAF Museum / RAF Museum

Going to be Decorated: Bomber Command by Alfred Reginald Thomson, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, L001-1885

In this work, Bomber Command airmen in a hut celebrate news of their awards for distinguished service. After an evening of drinking, they have left behind an empty decanter and glasses, and have playfully climbed to the rafters of the building.

Going to be Decorated: Bomber Command by Alfred Reginald Thomson, oil on canvas, Consult Collection Curator before use. / RAF Museum

The Bastard Word Studies by Fiona Banner aka The Vanity Press, graphite on Fabriano paper

Fine Art, London, Art Gallery, Hangar Three, X008-7568

Fiona Banner's art explores the relationship between language and conflict. Her suite of drawings, The Bastard Word Studies, signifies how the failure of language fuels war.

The Bastard Word Studies by Fiona Banner, graphite on paper, 2006-7., Fiona Banner aka The Vanity Press / RAF Museum

Study for the Lightning by Humphrey Ocean, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA00917

‘The project spanned two years, beginning in January 1987 after the Museum’s then Curator of Art, the late Tony Harold, got in touch. He had liked my painting Lord Volvo and His Estate (1982, Wolverhampton Art Gallery) and thought about how I might translate my treatment of the automobile and men into depicting RAF aircraft and crew.

Copyright restrictions prevent us from showing this image

Ground Operational Exercise (GROPE) by Leslie Cole, oil on canvas.

Fine Art, London, Art Gallery, Hangar Three, L001-1756

Leslie Cole’s painting represents a ground operational exercise or 'GROPE' – a form of synthetic training for air crew which, to test concentration, simulated the demanding navigational conditions of a bombing raid.

Ground Operational Exercise, oil on canvas, by Leslie Cole, oil on canvas,1943, Crown copyright: expired.

Crucifixion by Gladys Hynes, oil on cardboard

Fine Art, London, Art Gallery, Hangar Three, FA04334

Gladys Hynes painted ‘Crucifixion’ in 1939 as one of several artistic statements against Britain’s declaration of war on Germany.

Gladys Hynes oil on cardboard painting of a pilot with his arms outstretched in the pose of a crucifixion on an aircraft, Please contact Museum Copyright Officer or Collection Curator before using this asset / RAF Museum

WRAF Technician Servicing a Helicopter at Shawbury by Boyd & Evans, crayon on paper

Fine Art, London, Art Gallery, Hangar Three, FA00495

Fionnuala Boyd and Les Evans work inter-dependently as an artistic partnership, at times drawing on the same leaves of paper to realise a shared vision. Photography is central to their practice. In the studio, when away from the subject, they based their drawings on photographs, and today photography is their main medium.

WRAF Technician Servicing A helicopter at Shawbury by Leslie Evans and Fionnuala Boyd, pencil crayon on paper, Boyd & Evans / RAF Museum

Air Sea Rescue Launch by Sybil Andrews, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00993

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Sybil Andrews painting of an Air Sea Rescue boat, ready for launch, Glenbow Museum of Art, Calgary, Alberta, Canada. / RAF Museum