Showing 1 to 10 of 66 search results for Badge of 307 Squadron

The Last of the Few: John Hemingway by Alistair Morrison, digital photograph, inkjet-printed onto Hahnemuhle paper

Fine Art, 2023, London, Art Gallery, Hangar Three, X008-9477

Alistair Morrison photographed Group Captain John ‘Paddy’ Hemingway DFC AE (17 July 1919 - 17 March 2025) in 2023, at age 104, honouring him as the last surviving Battle of Britain pilot.

The Last of the Few: John Hemingway by Alistair Morrison, digital photograph, inkjet-printed onto Hahnemuhle paper, 2024. In this picture the then 104-year-old veteran, Hemingway, is seated in a large green chair, wearing his RAF uniform and medals, adjacent to a table upon which black and white photographs of his Second World War service sit, together with his open log book. He confronts the viewer with a sharp, intense gaze., RAF Museum

A Group of Polish Pilots by Patrick Procktor, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05630

In 1964 Patrick Procktor was one of the 'New Generation' of exciting young artists, celebrated in the Whitechapel Art Gallery’s exhibition of that title. The exhibition also championed the work of his friend David Hockney, and Bridget Riley and Patrick Caulfield, among others. Although he was respected in the 1960s art scene, he did not follow dominant artworld trends, choosing conventional genres including portraiture and travel landscapes. Prockor, who was gay, mostly painted men.

A Group of Polish Pilots by Patrick Procktor, oil on canvas, The Estate of Patrick Procktor and the Redfern Gallery, London. / RAF Museum

Speed, Moment of Force by Paul Sayers, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA02073

This is one of twelve paintings Sayers made to commemorate the Battle of Britain, which he first exhibited at London’s Barbican Centre before touring them to the RAF Museum in 1990.

Paul Sayers painting of an abstract impression of a fighter pilot's flight during the Battle of Britain, © Paul Sayers / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VIII) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01378

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour mural study of the camouflage workshop, Ministry of Home Security, Leamington Spa, The artist's estate / RAF Museum / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VII) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01377

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study of the camouflage workshop, Ministry of Home Security, Leamington Spa, The artist's estate / RAF Museum / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (V) by Anne Newland

Fine Art, London, Art Gallery, Hangar Three, FA01381

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VI) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01379

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Statue of Winged Victory From a Photograph by Robert Thomas Griffin, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA05560

This drawing represents the Greek Hellenic sculpture, the Winged Victory of Samothrace, from Paris’ Louvre Museum, recovered from the Aegean Sea in 1863.

Robert Thomas Griffin graphite drawing of the Winged Victory of Samothrace, Artist's copyright expired / RAF Museum / RAF Museum

Augsburg Raid, April 17 1942 by Paul Nash, watercolour and gouache on paper

Fine Art, London, Art Gallery, Hangar Three, FA00985

Famed for his First World War works, in 1940 Nash was invited again to become an Official War Artist for the revived scheme chaired by Sir Kenneth Clark. When Clark’s War Artists’ Advisory Committee assigned him to the Air Ministry Nash made propagandist watercolours of RAF and Luftwaffe aircraft.

Augsburg Raid, April 17 1942. Paul Nash. Watercolour on paper, 1942, The artist's estate

Air Raid by Cyril Power, linocut

Fine Art, London, Art Gallery, Hangar Three, FA00972

Power’s linocut print of a biplane ‘dog fight’ recalls his First World War service in the Royal Flying Corps, when he supervised aircraft repairs at Lympne aerodrome, Kent. He developed the print in four lino-block colour separations of red, light blue, grey and dark blue from a wartime sketch.

Cyril Power linocut print of a First World War dog fight, RAF Museum