Showing 21 to 30 of 66 search results for Badge of 307 Squadron

Fun Helped Them Fight (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05373

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Yours Till the Boys Come Home (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05412

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Eden Hotel, Berlin by Julius Stafford-Baker, graphite and watercolour on paper

Fine Art, 1945, London, Art Gallery, Hangar Three, L001-1809

During Germany’s Weimar Republic (1918-1933), Berlin’s elegant Eden Hotel was a hub for artists, writers and actors, but later became a meeting place for Nazi party officials. In November 1943 the hotel was destroyed in RAF Bomber Command’s devastating Battle of Berlin campaign.

Eden Hotel, Berlin by Julius Stafford-Baker, graphite and watercolour on paper, Crown Copyright (expired) / RAF Museum

Winged Figure: Icarus by John Armstrong, tempera on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00261

This is one of many abstract works on the Greek mythological theme of Icarus which British Surrealist John Armstrong made between 1939 and 1968, spanning the Second World War to the Cold War.

John Armstrong tempera painting of Icarus - an abstract work resembling a rod topped with a cratered orb, with two skeletal wings., The Estate of John Armstrong / Bridgeman Images. / RAF Museum

Winged Figure by Elisabeth Frink, bronze

Fine Art, London, Art Gallery, Hangar Three, FA20048

From her student days of the 1950s, to the late 1960s, Frink sculpted various winged figures which resembled men and birds as hybrid creatures. These were influenced by her childhood experiences of the Second World War.

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A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Study of Camouflage School Workshop, Ministry of Home Security Camouflage Establishment by Anne Newland, ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA01387

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland ink drawing of artists and designers working in the Ministry of Home Security Camouflage Establishment, Leamington Spa, Consult Collection Curator before use. / RAF Museum

Icarus Pinwheel by Michael Ayrton, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA00778

Michael Ayrton represents Icarus as he reaches the zenith of flight – too close to the sun. A similar composition to this drawing was later included in his 1962 illustrated novel, ‘The Testament of Daedalus’.

Icarus Pinwheel by Michael Ayrton, graphite on paper, The artist's estate / RAF Museum

Winged Figure III by Elisabeth Frink, bronze

Fine Art, London, Art Gallery, Hangar Three, FA20039

From her student days of the 1950s, to the late 1960s, Frink sculpted various winged figures which resembled men and birds as hybrid creatures. These were influenced by her childhood experiences of the Second World War.

Copyright restrictions prevent us from showing this image

Taube Pursued by Commander Samson by C.R.W. Nevinson, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00842

In 1915, after volunteering as an ambulance driver in Dunkirk, Nevinson painted this imagined vision of Air Commodore Samson’s command. Samson’s Royal Naval Air Squadron had aggressively patrolled the French city against German reconnaissance.

CRW Nevinson abstract oil painting of a Taube aircraft being pursued, Copyright expired. / RAF Museum