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Poland Invincible: the Polish Emblem by Eric Kennington, pastel on paper
Fine Art, In Storage, L001-1891
This pastel drawing depicts the Polish flag attacking a Luftwaffe plane. The eagle emblem on the flag symbolises the collective contributions of the many Polish airmen who served with the RAF.
Flight Lieutenant John Colin Mungo-Park DFC by Eric Kennington, pastel on paper
Fine Art, In Storage, L001-1704
This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.
Air Raid Damage Opposite Selfridges by Olga Lehmann, watercolour, gouache and ink on paper
Fine Art, In Storage, FA02105
This illustration is one of several by Olga Lehmann in the Museum’s collection that document Civil Defence activities during the London Blitz (1940–1941).
Night Vigil by Anthony Gross, watercolour and ink on paper
Fine Art, In Storage, FA00814
This scene represents a member of the Observer Corps keeping watch from a sandbag look-out post, while barrage balloons are positioned to divert enemy aircraft away from air raid targets.
Medal Bar of Flight Lieutenant Geoffrey Allard
Aircraft & Exhibits, In Storage, 1989/0210/D
‘Sammy’ Allard was an exceptional and highly popular pilot who destroyed at least ten German aircraft during the Battle of Britain.
Squadron Leader Reginald Sawrey-Cookson DFC, DSO by Eric Kennington, pastel on paper
Fine Art, In Storage, L001-1718
This pastel portrait is one of many made by Eric Kennington during his two-year full-time Official War Artist commission with the Air Ministry through the War Artists' Advisory Committee. A renowned portraitist, he was tasked with portraying high-ranking men in the RAF.
Communications Room by Elva Blacker, watercolour on paper
Fine Art, In Storage, FA04234
This watercolour shows personnel at work in the Communications Room at RAF Biggin Hill, a station that played a key role in the Battle of Britain in 1940.
Study: A Balloon Site, Coventry (VIII) by Dame Laura Knight, graphite and watercolour on paper
Fine Art, In Storage, FA01169
This compositional study is one of several preparatory drawings by Dame Laura Knight for a painting commissioned by the War Office to encourage recruitment of women to RAF Balloon Command - 'A Balloon Site: Coventry' (1942, Imperial War Museums).
It Happened to Us! by Carel Weight, oil on canvas
Fine Art, In Storage, FA00793
After writing to the War Artists’ Advisory Committee (WAAC) in December 1939, asking to become an Official War Artist, Carel Weight received a commission to represent ‘bombing in a suburban district with people still going about their daily affairs’.
Bath, Most Honourable Order of the, Knight Grand Cross, Military, Badge
Aircraft & Exhibits, In Storage, 71/D/1158
The Order of the Bath has its origins in the 14th century but was revived by King George I in 1725. The Knight Grand Cross is the highest grade.
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