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The Battle of Egypt: Advanced Dressing Station Interior by Anthony Gross, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1912

Anthony Gross made over 30 watercolours of the First Battle of El Alamein in July 1942 when, as an Official War Artist, he was commissioned to record the Middle East theatre of war.

The Battle of Egypt: Advanced Dressing Station Interior by Anthony Gross, graphite and watercolour on paper, © RAF Museum / Crown Copyright (expired)

Fighter Affiliation: Halifax and Hurricane by Walter Thomas Monnington, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, L001-1755

This painting represents a Fighter Affiliation exercise in which the crew of a Halifax bomber were trained to out-manoeuvre a naturally faster and more agile Hurricane fighter. The exercise was designed to emulate the real-life situations faced by bomber crew pursued by enemy fighters.

Fighter affiliation: Halifax and Hurricane. Walter T. Monnington. Oil on canvas, © RAF Museum

Producing Model Buildings in the Camouflage Workshop, Ministry of Home Security Camouflage Establishment by Anne Newland, ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA01384

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland ink drawing of artists and designers making building models in the Ministry of Home Security Camouflage Establishment, Leamington Spa, Consult Collection Curator before use. / RAF Museum

Evoluzioni Spiraliche di Aerei [Spiralling Evolutions of Aeroplanes] by Enrico Castello ('Chin'), oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00561

In 1918 Italian Futurist painter Enrico Castello, otherwise known as ‘Chin’, represented this combative vision after serving as a fighter pilot. That year, at the end of the war, poet Filippo Marinetti revived the Futurist art movement he had founded in Milan in 1909.

Enrico Castello ('Chin') oil painting of an Italian aircraft over a coastal landscape, RAF Museum

Underground Bomb Store by David Bomberg, charcoal on paper.

Fine Art, London, Art Gallery, Hangar Three, L001-1747

In April 1942, for his Official War Artist commission, David Bomberg spent a fortnight 90 feet underground in the vast bomb store of RAF Fauld, Burton-on-Trent, where he saw bombs being loaded on to racks, ready for use.

Underground Bomb Store by David Bomberg. Charcoal on paper., Crown copyright (expired).

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1859

After Eric Ravilious’ death, Hennell, an esteemed watercolourist, replaced him in an Official War Artist's Admiralty assignment to Iceland. Then from May 1945 he undertook a six-month commission with the Air Ministry in India and Burma (now Myanmar), sending watercolours to London ‘via the hand of a squadron leader’.

Pegu Airstrip: Afternoon Storm by Thomas Hennell, graphite and watercolour on paper, © RAF Museum / RAF Museum

Statue of Winged Victory From a Photograph by Robert Thomas Griffin, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA05560

This drawing represents the Greek Hellenic sculpture, the Winged Victory of Samothrace, from Paris’ Louvre Museum, recovered from the Aegean Sea in 1863.

Robert Thomas Griffin graphite drawing of the Winged Victory of Samothrace, Artist's copyright expired / RAF Museum / RAF Museum

Study for ‘Take Off’: Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01176

This preparatory study of Flight Sergeant Alexander Quadling, a Flight Engineer, is one of many Knight made for the painting ‘Take Off’ (1943, Imperial War Museums), in which she represented a Stirling bomber crew at RAF Mildenhall preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

RAF Morse School at Olympia, Blackpool by Charles Cundall, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, L001-1803

Cundall produced a series of panoramic views of Admiralty and Air Ministry subjects for his Official War Artist commissions in the Second World War. In this work a large cohort of RAF wireless operators undergo initial training to decipher Morse Code.

RAF Morse School at Olympia, Blackpool by Charles Cundall, oil on canvas, © RAF Museum / RAF Museum