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Walrus Amphibian Aircraft by Raymond McGrath, watercolour on canvas board

Fine Art, London, Art Gallery, Hangar Three, L001-1785

An amphibious biplane, the Walrus was used for RAF air-sea rescue missions to patrol British waters, the Mediterranean and the Bay of Bengal, to recover crew from downed aircraft.

Walrus amphibian aircraft. Raymond McGrath. Watercolour on paper., Crown copyright (expired) / RAF Museum

The Winged Life (book cover design) by John Minton, watercolour, gouache and ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA00565

Minton designed this cover for a biography of the pioneering French aviator and writer Antoine de Saint-Exupéry, who disappeared in 1944 aboard a reconnaissance flight from Corsica.

John Minton book cover illustration for 'The Winged Life', depicting Antoine de Saint-Exupu00e9ry adjacent to an aircraft in flight, Consult Collection Curator before use. / RAF Museum

Taube Pursued by Commander Samson by C.R.W. Nevinson, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00842

In 1915, after volunteering as an ambulance driver in Dunkirk, Nevinson painted this imagined vision of Air Commodore Samson’s command. Samson’s Royal Naval Air Squadron had aggressively patrolled the French city against German reconnaissance.

CRW Nevinson abstract oil painting of a Taube aircraft being pursued, Copyright expired. / RAF Museum

From a Paris Plane by C.R.W. Nevinson, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA00564

From a Paris Plane was first exhibited at the Leicester Galleries, London in October 1930 (cat. no. 29) and published as an edition of 25.

CRW Nevinson lithograph print of a view from a biplane over Paris, 1920s, Copyright expired. / RAF Museum

Air Sea Rescue Launch by Sybil Andrews, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00993

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Sybil Andrews painting of an Air Sea Rescue boat, ready for launch, Glenbow Museum of Art, Calgary, Alberta, Canada. / RAF Museum

Veteran Mechanic by Robert Austin, charcoal and pastel on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1903

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD607. On loan from the RAF Air Historical Branch (MOD).

Robert Austin pastel drawing of a veteran mechanic, © RAF Museum / RAF Museum

Evadne in Green Dimension (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05371

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Will Man Outgrow the Earth? (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05372

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

I was a Rich Man's Plaything (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05394

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Take-off (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05370

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image