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Was this Metal Monster Master or Slave? (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05377

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

The Ultimate Planet (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05374

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Fun Helped Them Fight (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05373

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Evadne in Green Dimension (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05371

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Ground Control Approach, Gatow, circa 1947

Photographs, In Storage, PC98/173/6157/17

The Ground Control Approach on the perimeter of the Gatow airfield flashes by a wingtip in the image as an aircraft comes in to land.

A snow covered landscape visible over an aircraft wing, Royal Air Force Museum, Charles Brown Collection

Aircraft Fuselage and Wind Tunnel by Barbara Jones, watercolour and graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA02454

This is one of three watercolours Barbara Jones painted of wind tunnel testing at the Royal Aircraft Establishment, Farnborough.

Barbara Jones watercolour of a Fairey Battle Mk1 aircraft being modified with a Napier Sabre engine for wind tunnel testing, © The Estate of Barbara Jones. / RAF Museum

Republic P-47D Thunderbolt II

Aircraft & Exhibits, 1945-1958, London, Hangar Three/Four, 1994/1337/A

The Thunderbolt was one of the three most important American fighters produced during the war and saw extensive service with the United States Army Air Force before its comparatively late introduction into RAF operational service in 1944.

Republic P-47D Thunderbolt II on display at Hendon, © RAF Museum/Iain Duncan

Handley Page Hastings T.5

Aircraft & Exhibits, MAR 1948-AUG 1977, Cosford, Hangar Four, 85/A/9

The Handley Page Hastings replaced the Avro York as the Royal Air Force’s standard long-range transport from 1948. Two squadrons of the new aircraft served alongside the Avro York throughout the Berlin Airlift, flying vital supplies into the city during the Soviet blockade.

Handley Page Hastings T.5 on display at Cosford, © RAF Museum/Iain Duncan

Bristol Bulldog Mk IIAs flying past during the Royal Jubilee Review, RAF Mildenhall, 1935

Photographs, In Storage, PC98/173/5518/10

As part of the King George V's Silver Jubilee on 6 July, 1935, the RAF chose RAF Station Mildenhall as one of two venues to host a royal review of the RAF. A third of the RAF's entire strength – 38 squadrons with 370 aircraft – took part in the royal review.

Cameramen film aircraft flying overhead at RAF Mildenhall, 1935, Royal Air Force Museum, Charles Brown Collection

RAF Officer's 1948 pattern No.2 uniform of His Royal Highness The Duke of Edinburgh

Aircraft & Exhibits, London, Hangar One, X008-7072

The Royal Family are active in their support for and service of the UK's Armed Forces. This uniform was worn by His Royal Highness Prince Philip, The Duke of Edinburgh, and displays the rank of Marshal of the Royal Air Force.

Duke of Edinburgh's RAF Officer's 1948 pattern No.2 Jacket., © RAF Museum/Iain Duncan

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