Showing 3281 to 3290 of 3402 search results

Rear Gunner (Pilot Officer Percy Arthur Dalton) by Jacob Kramer, lithograph

Fine Art, In Storage, FA00821

Jacob Kramer made this portrait when his Leeds friend Percy Dalton joined the RAF Volunteer Reserve. Following his promotion to Flight Lieutenant, Dalton died when his Wellington bomber was shot down over France in 1942.

Jacob Kramer lithographic portrait of Rear Gunner Pilot Officer Percy Arthur Dalton, Consult Collection Curator before use. / RAF Museum

A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Yours Till the Boys Come Home (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05412

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

A New Brand of Brilliance (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05399

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Merry Christmas with T-1 Space Suits (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05398

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Man Holds the Key (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05397

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

The border crossing between the British and Russian Zones of Occupation in Northern Germany near the town of Potenitz on the Baltic Sea coast, 1945

Photographs, In Storage, P027421

In the aftermath of the Second World War in Europe, the victorious Allies divided the defeated Germany between them, with each taking responsibility for their Zone of Occupation. This image shows the crossing point near the town of Potenitz, near Lubeck, on the Baltic Sea Coast.

Photograph of border post, with barbed wire and fences and a soldier on guard, © Crown

Wind Tunnel Test (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint and lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05391

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Hawker Siddeley Vulcan B.2, with its weapons on display at RAF Waddington

Photographs, In Storage, P021335

The Vulcan was the second of the Royal Air Force’s ‘V bombers’ and like the Valiant and Victor provided part of Great Britain’s nuclear deterrent force for fifteen years. The Blue Steel nuclear missile, which entered service in 1963, can be seen at the front of this photograph. This image dates from around 1982.

View of Vulcan bomber and armaments on a runway, © Crown

Will Man Outgrow the Earth? (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05372

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Filter results by: Hide filters

Department show filter hide filter

Type show filter hide filter

Associated with show filter hide filter

Where used show filter hide filter

Key events show filter hide filter

Location show filter hide filter

Recently added items shown first, show default sort order