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Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VI) by Anne Newland, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, FA01379
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VIII) by Anne Newland, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, FA01378
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (III) by Anne Newland, graphite and watercolour on paper
Fine Art, In Storage, FA01376
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VII) by Anne Newland, graphite and watercolour on paper
Fine Art, London, Art Gallery, Hangar Three, FA01377
During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.
Crucifixion by Gladys Hynes, oil on cardboard
Fine Art, London, Art Gallery, Hangar Three, FA04334
Gladys Hynes painted ‘Crucifixion’ in 1939 as one of several artistic statements against Britain’s declaration of war on Germany.
Statue of Winged Victory From a Photograph by Robert Thomas Griffin, graphite on paper
Fine Art, London, Art Gallery, Hangar Three, FA05560
This drawing represents the Greek Hellenic sculpture, the Winged Victory of Samothrace, from Paris’ Louvre Museum, recovered from the Aegean Sea in 1863.
Icarus Pinwheel by Michael Ayrton, graphite on paper
Fine Art, London, Art Gallery, Hangar Three, FA00778
Michael Ayrton represents Icarus as he reaches the zenith of flight – too close to the sun. A similar composition to this drawing was later included in his 1962 illustrated novel, ‘The Testament of Daedalus’.
Winged Figure: Icarus by John Armstrong, tempera on canvas
Fine Art, London, Art Gallery, Hangar Three, FA00261
This is one of many abstract works on the Greek mythological theme of Icarus which British Surrealist John Armstrong made between 1939 and 1968, spanning the Second World War to the Cold War.
Night Flying at Hendon [unknown artist], lithograph
Fine Art, London, Art Gallery, Hangar Three, FA10708
From 1910 to 1968 Hendon airfield operated as an important centre for civil and military aviation.
Bristol Beaufort Mk VIII DD931
Aircraft & Exhibits, 1942-1945, London, Hangar Three/Four, 1994/1345/A
The Bristol Beaufort was a Second World War torpedo bomber that served with Coastal Command from 1938 until 1943. In total 1,380 were built, with 700 being built in Australia.
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