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English Electric Canberra PR.3 WE139

Aircraft & Exhibits, 1953-1969, London, Hangar Three/Four, 69/A/695

The Canberra long-range, photo-reconnaissance aircraft was one of several versions of the Canberra bomber, and one of the success stories of the post-war British aircraft industry. Many British-built aircraft were exported and production also took place under licence in the United States of America and Australia.

Front view of BAC Canberra photographic reconnaissance aircraft on display at the RAF Museum London, © RAF Museum/Iain Duncan

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (V) by Anne Newland

Fine Art, London, Art Gallery, Hangar Three, FA01381

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (I) by Anne Newland, graphite and watercolour on paper

Fine Art, In Storage, FA01380

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VI) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01379

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VIII) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01378

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour mural study of the camouflage workshop, Ministry of Home Security, Leamington Spa, The artist's estate / RAF Museum / RAF Museum

Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (III) by Anne Newland, graphite and watercolour on paper

Fine Art, In Storage, FA01376

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, Consult Collection Curator before use. / RAF Museum

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VII) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01377

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study of the camouflage workshop, Ministry of Home Security, Leamington Spa, The artist's estate / RAF Museum / RAF Museum

Crucifixion by Gladys Hynes, oil on cardboard

Fine Art, London, Art Gallery, Hangar Three, FA04334

Gladys Hynes painted ‘Crucifixion’ in 1939 as one of several artistic statements against Britain’s declaration of war on Germany.

Gladys Hynes oil on cardboard painting of a pilot with his arms outstretched in the pose of a crucifixion on an aircraft, Please contact Museum Copyright Officer or Collection Curator before using this asset / RAF Museum

Statue of Winged Victory From a Photograph by Robert Thomas Griffin, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA05560

This drawing represents the Greek Hellenic sculpture, the Winged Victory of Samothrace, from Paris’ Louvre Museum, recovered from the Aegean Sea in 1863.

Robert Thomas Griffin graphite drawing of the Winged Victory of Samothrace, Artist's copyright expired / RAF Museum / RAF Museum

Icarus Pinwheel by Michael Ayrton, graphite on paper

Fine Art, London, Art Gallery, Hangar Three, FA00778

Michael Ayrton represents Icarus as he reaches the zenith of flight – too close to the sun. A similar composition to this drawing was later included in his 1962 illustrated novel, ‘The Testament of Daedalus’.

Icarus Pinwheel by Michael Ayrton, graphite on paper, The artist's estate / RAF Museum

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