Showing 3301 to 3310 of 3425 search results

Baghdad and the River Tigris from 10000 ft Looking North Towards Khadimain by Richard Carline, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA00893

Richard and his elder brother Sydney became Official War Artists of RAF subjects in 1918 after serving as a wireless operator and a fighter pilot respectively – Richard in France and Sydney in Italy.

Richard Carline aerial view painting of Baghdad and the River Tigris, © The Estate of Richard Carline / Bridgeman Images. / RAF Museum

No. 19 Air Flight over Wytschaete by Paul Nash, watercolour, gouache and chalk on paper

Fine Art, London, Art Gallery, Hangar Three, FA00848

From February 1917, Nash served with the Hampshire Regiment in the trenches of Flanders, on the Western Front. This is one of 50 drawings he made of the Ypres Salient battlefields that November, when he returned to the Front after injury, now serving as an Official War Artist.

No.19 Air Flight Over Wytschaete by Paul Nash, Paul Nash. watercolour, gouache and chalks on paper, 1917., Copyright expired.

Study for ‘Take Off’: Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01176

This preparatory study of Flight Sergeant Alexander Quadling, a Flight Engineer, is one of many Knight made for the painting ‘Take Off’ (1943, Imperial War Museums), in which she represented a Stirling bomber crew at RAF Mildenhall preparing for flight.

Study for 'Take Off': Flight Engineer by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

Rear Gunner (Pilot Officer Percy Arthur Dalton) by Jacob Kramer, lithograph

Fine Art, In Storage, FA00821

Jacob Kramer made this portrait when his Leeds friend Percy Dalton joined the RAF Volunteer Reserve. Following his promotion to Flight Lieutenant, Dalton died when his Wellington bomber was shot down over France in 1942.

Jacob Kramer lithographic portrait of Rear Gunner Pilot Officer Percy Arthur Dalton, Consult Collection Curator before use. / RAF Museum

A Funny Thing Happened on the Way to the Airport (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05406

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Yours Till the Boys Come Home (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05412

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

A New Brand of Brilliance (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05399

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Merry Christmas with T-1 Space Suits (from 'Bunk' portfolio) by Eduardo Paolozzi, lithograph

Fine Art, London, Art Gallery, Hangar Three, FA05398

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

Man Holds the Key (from 'Bunk' portfolio) by Eduardo Paolozzi, screenprint

Fine Art, London, Art Gallery, Hangar Three, FA05397

While in the late-1940s austerity measures persisted in Britain, American commodities and advertising, by contrast, reflected the USA’s economic and cultural dominance. They also reflected America’s popular imagination inspired by the emerging jet and space age.

Copyright restrictions prevent us from showing this image

The border crossing between the British and Russian Zones of Occupation in Northern Germany near the town of Potenitz on the Baltic Sea coast, 1945

Photographs, In Storage, P027421

In the aftermath of the Second World War in Europe, the victorious Allies divided the defeated Germany between them, with each taking responsibility for their Zone of Occupation. This image shows the crossing point near the town of Potenitz, near Lubeck, on the Baltic Sea Coast.

Photograph of border post, with barbed wire and fences and a soldier on guard, © Crown

Filter results by: Hide filters

Department show filter hide filter

Type show filter hide filter

Associated with show filter hide filter

Where used show filter hide filter

Key events show filter hide filter

Location show filter hide filter

Recently added items shown first, show default sort order