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Field Service Cap of Other Ranks

Aircraft & Exhibits, London, Hangar One, 77/U/870

As an economy measure in 1943, black plastic buttons and badges replaced the brass examples previously found on the 1936 Pattern cap.

Blue grey fabric cap, with two plastic buttons at front, © RAF Museum

GEE Receiver Type R1355

Aircraft & Exhibits, Cosford, Hangar Three, 1993/0697/R

GEE was a radio navigation aid with few components, enabling it to be fitted easily to most aircraft requiring a navigator. It acquired a reputation of being simple to operate and gained the nickname ‘the goon box’ as anybody could use it.

GEE Receiver Type R1355, RAF Museum/Iain Duncan

Head and Breast Set

Aircraft & Exhibits, Cosford, Hangar Two, 67/R/449

This standard General Post Office equipment was widely used by RAF personnel during the Second World War. It enabled the wearer to make and receive calls while freeing their hands for other tasks.

Telephone system with a mouthpiece and phone connector on a neck strap, attached to headphones by a thin cord, © RAF Museum

Rank Chevron

Aircraft & Exhibits, London, Hangar One, X003-4426

Non-Commissioned Officers ranks in the RAF were inherited from the Royal Flying Corps and the use of chevrons to display NCO ranks continues to this day.

V-shaped navy cloth badge with two white chevrons, © RAF Museum

Blenheim Mark I Recognition Model

Aircraft & Exhibits, Cosford, Hangar Two, 65/M/196

This is a British-made model of a Second World War Blenheim Mk I light bomber used to train RAF personnel, particularly pilots, gunners and members of the Observer Corps, in the vital skill of aircraft recognition.

Model of an aircraft in camouflage with a blue and red roundel on each wing, © RAF Museum

Dark Adaptation Goggles

Aircraft & Exhibits, London, Hangar One, 1990/0704/U

It can take over 20 minutes for the human eye to adapt to the dark. Night fighter crews would wear these goggles before missions to help acclimatise their vision.

Dark class circular goggles with brown leather surround, © RAF Museum

Study: In for Repairs by Dame Laura Knight, graphite and watercolour on paper

Fine Art, In Storage, FA01174

This watercolour study by Dame Laura Knight is a preparatory drawing for the painting 'In for Repairs' (1942, Harris Museum and Library) that shows Women’s Auxiliary Air Force (WAAF) operators repairing a damaged barrage balloon at RAF Wythall in Birmingham.

Study: In for Repairs by Dame Laura Knight, graphite and watercolour on paper, The artist's estate and Bridgeman Images / RAF Museum

Sir Frederick Sykes by Sir William Orpen, oil on canvas

Fine Art, London, Hangar Two, X005-5017

An early supporter of air power, Sir Frederick Sykes KCB CMG CBO DSO was Chief of the Air Staff when the First World War ended in November 1918. Immediately afterwards he advocated for the RAF to remain an independent service.

Sir Frederick Sykes seated at a wooden chair by a window in RAF uniform with a curtain behind him, RAF Museum

Hawker Harrier by Bryan Organ, oil on canvas

Fine Art, London, Art Gallery, Hangar Three, FA05592

Two years after the RAF Museum opened to visitors, it commissioned Bryan Organ, known for his depictions of famous people, to paint a ‘portrait’ of the Hawker Siddeley Harrier aircraft. Several years later, he also drew the Museum’s founding Director, Dr John Tanner.

Hawker Harrier by Bryan Organ, oil on canvas, Bryan Organ and the Redfern Gallery / RAF Museum

Baggage, Aircrew, British Airways (1938) Limited

Aircraft & Exhibits, In Storage, 78/C/428

This label was used to identify baggage belonging to British Airways crew.

RAF Museum

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