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Wireless Operator Badge, Ptn 1920
Aircraft & Exhibits, London, Hangar Three/Four, X004-5288
The clenched fist grasping six bolts of lighting is the trade badge of RAF Wireless Operators/telecommunications. The 1920 pattern badge employs a light blue thread on a black Melton patch, worn on the sleeve.
Medal Bar of Group Captain Geoffrey Brunner
Aircraft & Exhibits, In Storage, 1993/0470/D
During the Battle of Britain Geoffrey Brunner served with No. 43 Squadron. On 26 August 1940 in a raid off Portsmouth he was attacked by a Messerschmitt Bf 109. With no radio, engine or hydraulics, covered in petrol and wounded in the ankle, he successfully made a wheels-up landing at RAF Tangmere.
Flight Lieutenant David Lord in the fuselage of a Douglas Dakota during a supply drop over Burma, 1943
Photographs, In Storage, P004599
David Lord was a pilot in the RAF in the Second World War. He flew on operations in North Africa, India, Burma and Holland, where he was killed during Operation Market Garden on 19 September 1944.
Charity football match between French Internationals and RNAS mechanics at Malo-les-Bains, 1916.
Archives, In Storage, A2005
Poster advertising a charity football match between mechanics from the Royal Naval Air Service and French internationals at Malo-les-Bains, played Sunday 2 July 1916.
George Cross of Pilot Officer Gerald Charles Close
Aircraft & Exhibits, 1937, London, Hangar Three/Four, 79/D/2040
Pilot Officer Gerald Charles Close was awarded the Empire Gallantry Medal on 21 December 1937. This was exchanged for the George Cross in 1940.
Medical Officer's Collar Badge, Ptn 1918
Aircraft & Exhibits, London, Hangar Three/Four, 1988/0432/U
Medical officers in the RAF can be distinguished by their collar badges depicting the twin entwined serpents and winged staff of the Caduceus of Mercury.
A London Transport Underground Station by Olga Lehmann, ink and gouache on paper
Fine Art, In Storage, FA01544
In 1929 Lehmann was awarded a scholarship to the Slade School of Fine Art whose curriculum focused on studying the human figure. She made her career as a painter, muralist, illustrator and designer for magazines and of cards and wallpaper. Her broad repertoire ensured she received steady creative work during the war.
Officer's, Pale B/G, Ptn 1918
Aircraft & Exhibits, London, Hangar Three/Four, 71/U/1249
Air Ministry Weekly Order No. 162 of 1918 introduced a new uniform of pale blue fabric to the same pattern as the khaki uniform worn during the First World War.
WRAF Technician Servicing a Helicopter at Shawbury by Boyd & Evans, crayon on paper
Fine Art, London, Art Gallery, Hangar Three, FA00495
Fionnuala Boyd and Les Evans work inter-dependently as an artistic partnership, at times drawing on the same leaves of paper to realise a shared vision. Photography is central to their practice. In the studio, when away from the subject, they based their drawings on photographs, and today photography is their main medium.
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